
“…the joy of winning the World Cup cannot be compared with any amount of money”
Kapil Dev: 30 years on, I can still recall India World Cup victory
Source: Hidden Order - How Adaptation Builds Complexity (1995), Ch 2. Adaptive Systems, p. 86
“…the joy of winning the World Cup cannot be compared with any amount of money”
Kapil Dev: 30 years on, I can still recall India World Cup victory
"Mathematical Contributions to the Theory of Evolution III: Regression, Heredity and Panmixia", Philosophical Transactions of the Royal Society, Series A, Vol. 187 (1896) p. 259.
Max Weber, The Nature of Social Action, 1922
Source: Computer Science as Empirical Inquiry: Symbols and Search (1975), p. 122.
Condemning usury. p. 849
Quoted in Joseph H. Hertz, The Pentateuch and Haftorahs (One-volume edition)
Source: Designing complex organizations, 1973, p. 4
The Roving Critic (1923), p. 20
Context: Neither creator nor critic can make himself universal by barely taking thought about it. He is what he lives. The measure of the creator is the amount of life he puts Into his work. The measure of the critic is the amount of life he finds there.
The Law of Mind (1892)
Context: But no mental action seems necessary or invariable in its character. In whatever manner the mind has reacted under a given sensation, in that manner it is the more likely to react again; were this, however, an absolute necessity, habits would become wooden and ineradicable, and no room being left for the formulation of new habits, intellectual life would come to a speedy close. Thus, the uncertainty of the mental law is no mere defect of it, but is on the contrary of its essence. The truth is, the mind is not subject to "law," in the same rigid sense that matter is. It only experiences gentle forces which merely render it more likely to act a given way than it otherwise would be. There always remains a certain amount of arbitrary spontaneity in its action, without which it would be dead.
“Measure a man by his actions fully, through his whole life, from the beginning to the end.”
Posthumous attributions, Tupac: Resurrection (2003)