“I learned this bit of wisdom from a principle of William Blake's which I discovered early and followed far too assiduously the first half of my aesthetic life, and from which I have happily released myself and this axiom was: "Put off intellect and put on imagination; the imagination is the man." From this doctrinal assertion evolved the theoretical axiom that you don't see a thing until you look away from it which was an excellent truism as long as the principles of the imaginative life were believed in and followed. I no longer believe in the imagination.”

— Marsden Hartley

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

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Marsden Hartley 33

American artist 1877–1943

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“I belong to the generation of 1968, which, throughout the world, hoped to recast society on the model of the imagination. I have tried to learn from disappointment and defeat, but I have not despaired. "If the fool would persist in his folly," wrote William Blake, "he would become wise."”

Roberto Mangabeira Unger book The Left Alternative

Source: The Left Alternative (2009), p. 188

“I have always said that you do not see a thing until you look away from it. In other words, an object or a fact in nature has not become itself until it has been projected in the realm of the imagination. Therefore what has been retained in the mind’s eye is what lives. I have seldom or never worked from nature for this reason and so what I see is what I believe to be true, and that becomes the truism of the creative artist.”

Marsden Hartley (1877–1943) American artist

Is Art necessary?, unpublished essay, 1942, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 151
1931 - 1943

“You can do this" I murmured. "You are my brother. I love you. All the embarrassing bits, all the annoying bits, which I imagine is most of you--a thousand Zias might run away from you if they knew the truth. But I won't. I'll still be here.”

Rick Riordan book The Throne of Fire

Source: The Throne of Fire

“What meal is not expensive? That for which no animal is put to death. … one participating of feeling, of seeing, of hearing, of imagination, and of intellection; which each animal hath received from Nature for the acquiring of what is agreeable to it, and the avoiding what is disagreeable.”

Plutarch book Moralia

II, 3
Moralia, Of Eating of Flesh

“.. that one [a tree study in Gabriël's studio] is from my early times; I don't make them that way anymore; look how the thing is painted..; and those days my teachers told me that nothing would come of me in this way. What kind of folks were they? [o. a. his early and short teacher Koekoek, c. 1844-45] And which guys belonged to them? Well, let's keep mum about that; all those guys are dead already. But those days [c. 1840's] it was the ruling idea to use nature only as a tool; she had to be embellished later with imagination and so on …. imagination …. the stupidest thing in the world. (L. de Haes asked him: Do you think imagination is so improper?) Improper, I think it is simply an unhealthy trait. You see; imagination is the proper way to insanity. Imagine that you start painting from your imagination without knowing nature; after all, there will be no result whatsoever. All those people of imagination imagine so much, and it is the greatest misfortune you can have in life, you know what it is good for: to idealize your faults.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..da's er een [ een boom-studie] uit m'n eersten tijd; zoo doe 'k het niet meer; kijk dat ding eens geschilderd wezen; en in dien tijd zeiden mijn leermeesters dat er op die manier niets van mij terecht zou komen. Wat een lui waren dat hè [o.a. zijn tijdelijke vroege leermeester Koekoek, c. 1844-45]? En wie waren dat zoo al? Ja daar zullen we maar over zwijgen; die menschen zijn nu al dood; maar 't was toen de opvatting, de natuur alleen als hulpmiddel te gebruiken; zij moest nog verfraaid worden met verbeelding en zoo al meer .... imaginatie.... 't stomste wat er op de wereld is. (L. de Haes: Vindt u verbeelding dan zoo verwerpelijk?) Verwerpelijk, och ik vind het eenvoudig een ziekelijke eigenschap, zie je wel; verbeelding, dat is de weg naar de krankzinnigheid. Verbeeld je dat je uit je verbeelding gaat schilderen zonder de natuur te kennen; daar komt immers niets van terecht. Al die menschen van verbeelding verbeelden zich zoo veel, en 't is 't grootste ongeluk wat je op de wereld kan hebben, weet je waar 't alleen goed voor is: om je gebreken te idealiseeren.
Quote of Gabriël, 1893; as cited by L. de Haes, in 'P.J.C. Gabriël'; published in Elsevier's geïllustreerd maandschrift 3., April/May 1893, pp. 453-473
1880's + 1890's

“First, we must consider what soul is. It is, then, that by which the animate differs from the inanimate. The difference lies in motion, sensation, imagination, intelligence. Soul therefore, when irrational, is the life of sense and imagination; when rational, it is the life which controls sense and imagination and uses reason.”

Sallustius Roman philosopher and writer

VIII. On Mind and Soul, and that the latter is immortal.
On the Gods and the Cosmos
Context: First, we must consider what soul is. It is, then, that by which the animate differs from the inanimate. The difference lies in motion, sensation, imagination, intelligence. Soul therefore, when irrational, is the life of sense and imagination; when rational, it is the life which controls sense and imagination and uses reason. The irrational soul depends on the affections of the body; it feels desire and anger irrationally. The rational soul both, with the help of reason, despises the body, and, fighting against the irrational soul, produces either virtue or vice, according as it is victorious or defeated.

“God, I have said, is the fulfiller, or the reality, of the human desires for happiness, perfection, and immortality. From this it may be inferred that to deprive man of God is to tear the heart out of his breast. But I contest the premises from which religion and theology deduce the necessity and existence of God, or of immortality, which is the same thing. I maintain that desires which are fulfilled only in the imagination, or from which the existence of an imaginary being is deduced, are imaginary desires, and not the real desires of the human heart; I maintain that the limitations which the religious imagination annuls in the idea of God or immortality, are necessary determinations of the human essence, which cannot be dissociated from it, and therefore no limitations at all, except precisely in man’s imagination.”

Ludwig Feuerbach (1804–1872) German philosopher and anthropologist

Lecture XXX, Atheism alone a Positive View
Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)

“I am filled with deep emotion at finding myself standing here, in this place, where were collected together the wisdom, the patriotism, the devotion to principle, from which sprang the institutions under which we live. You have kindly suggested to me that in my hands is the task of restoring peace to the present distracted condition of the country. I can say in return, Sir, that all the political sentiments I entertain have been drawn, so far as I have been able to draw them, from the sentiments which originated and were given to the world from this hall.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Speech in Independence Hall (1861)

“My imagination longs to dash ahead and plan developments; but I have noticed that when things happen in one's imaginings, they never happen in one's life, so I am curbing myself.”

Dodie Smith book I Capture the Castle

Source: I Capture the Castle

“The method of viewing things which proceeds in accordance with the principle of sufficient reason is the rational method, and it alone is valid and of use in practical life and in science. The method which looks away from the content of this principle is the method of genius, which is only valid and of use in art.”

Arthur Schopenhauer book The World as Will and Representation

Die dem Satz vom Grunde nachgehende ist die vernünftige Betrachtungsart, welche im praktischen Leben, wie in der Wissenschaft, allein gilt und hilft: die vom Inhalt jenes Satzes wegsehende ist die geniale Betrachtungsart, welche in der Kunst allein gilt und hilft.
Die Welt als Wille und Vorstellung, Zweiter Band, Ergänzungen zum dritten Buch, para. 36 (1859)
The World as Will and Representation (1819; 1844; 1859)

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Marsden Hartley 33

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