
“Gray day. Everything is gray. I watch. But nothing moves today.”
The Diary of Samuel Marchbanks (1947)
“Gray day. Everything is gray. I watch. But nothing moves today.”
Source: The Silence of the Lambs
Variant: Half the world is composed of people who have something to say and can't, and the other half who have nothing to say and keep on saying it.
2014, Queensland University Address (November 2014)
Context: As we develop, as we focus on our econ, we cannot forget the need to lead on the global fight against climate change. [... ] Here in the Asia Pacific, nobody has more at stake when it comes to thinking about and then acting on climate change. Here, a climate that increases in temperature will mean more extreme and frequent storms, more flooding, rising seas that submerge Pacific islands. Here in Australia, it means longer droughts, more wildfires. The incredible natural glory of the Great Barrier Reef is threated. Worldwide, this past summer was the hottest on record. No nation is immune, and every nation has a responsibility to do its part. [... ] We are mindful of the great work that still has to be done on this issue. But let me say, particularly again to the young people here: Combating climate change cannot be the work of governments alone. Citizens, especially the next generation, you have to keep raising your voices, because you deserve to live your lives in a world that is cleaner and that is healthier and that is sustainable. But that is not going to happen unless you are heard. It is in the nature of things, it is in the nature of the world that those of us who start getting gray hair are a little set in our ways, that interests are entrenched -- not because people are bad people, it’s just that’s how we’ve been doing things. And we make investments, and companies start depending on certain energy sources, and change is uncomfortable and difficult. And that’s why it’s so important for the next generation to be able to step and say, no, it doesn’t have to be this way. You have the power to imagine a new future in a way that some of the older folks don’t always have.
the cathedral pastor visiting Ólafur
Heimsljós (World Light) (1940), Book Four: The Beauty of the Heavens
On Literature, Revolution, Entropy and Other Matters (1923)
Context: A new form is not intelligible to everyone; many find it difficult. Perhaps. The ordinary, the banal is, of course, simpler, more pleasant, more comfortable. Euclid's world is very simple, and Einstein's world is very difficult — but it is no longer possible to return to Euclid. No revolution, no heresy is comfortable or easy. For it is a leap, it is a break in the smooth evolutionary curve, and a break is a wound, a pain. But the wound is necessary: most of mankind suffers from hereditary sleeping sickness, and victims of this sickness (entropy) must not be allowed to sleep, or it will be their final sleep, death.
The same disease often afflicts artists and writers: they sink into satiated slumber in forms once invented and twice perfected. And they lack the strength to wound themselves, to cease loving what they once loved, to leave their old, familiar apartments filled with the scent of laurel leaves and walk away into the open field, to start anew.
Of course, to wound oneself is difficult, even dangerous. But for those who are alive, living today as yesterday and yesterday as today is still more difficult.