“In this world, after all, I've become more or less invisible…I've become what the young are afraid of becoming, just another member of the nameless elderly, an old and broken man with nothing left to offer to this world.
My days are inconsequential, comprising simple moments and even simpler pleasures. I eat and sleep and think of Ruth; I wander the house and stare the the paintings, and in the mornings, I feed the pigeons that gather in my backyard.”

— Nicholas Sparks

Ira Levinson, Chapter 17, p. 234
2009, The Longest Ride (2013)

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Nicholas Sparks 646

American writer and novelist 1965

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“If, after I die, they should want to write my biography,
There's nothing simpler.
I've just two dates—of my birth, and of my death.
In between the one thing and the other all the days are mine.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Se, depois de eu morrer, quiserem escrever a minha biografia,
Não há nada mais simples.
Tem só duas datas—a da minha nascença e a da minha morte.
Entre uma e outra coisa todos os dias são meus.
Alberto Caeiro (heteronym), "Se, depois de eu morrer" (8 November 1915), trans. Jonathan Griffin.
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“As regards my paintings of similar compositions I cannot give you any indication [about possible 'variants' in his works] because I'm afraid I've never made a note of where my paintings have ended up... I am always at work and work is my sole passion. And unfortunately I've become aware that I must always start from the beginning, and ought to burn what I've done in the past.”

Giorgio Morandi (1890–1964) Italian painter

Quote in his letter of 2 Aug. 1954; as cited in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 42
1945 - 1964

“Night and day I've been most intensely thinking about my painting, and I have been more or less satisfied with everything I've done. I'm slacking a little now, not working as much, and no longer so satisfied. But all in all, I still have a loftier and happier perspective on my art than I did in Worpswede. But it does demand a very, very great deal of me – working and sleeping in the same room with my paintings is a delight... When I wake up in the middle of the night, I jump out of bed and look at my work. And in the morning it's the first thing I see..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter from Paris, 15 May 1906 to Otto Modersohn in Worpswede; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 204
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“I truly miss my youth but embrace the more mature man I've become. Living in Palm Springs, I am a spring chicken! So it's all relative.”

Stephie Pahlavi Zan

“I do both: I make preliminary drawings, other times I paint directly, other times I start a painting and then paint it out so that it becomes another painting or nothing at all. If a painting doesn't work, throw it out. When I work from preliminary sketches, I don't just enlarge these drawings, but plan my areas in a large painting by using small drawings for separate areas. I combine them in a final painting, often adding to or subtracting from the original sketches.... There are certain canvases here in my studio - the little one over there – that I've worked on for a good six months – painting most of it out and then painting it over and over again. I think I've got it now.”

Franz Kline (1910–1962) American painter

1958
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“(…) I am all and all is me. Being the world I am not afraid of the world. Being all, what am I to be afraid of? Water is not afraid of water, nor fire of fire. (…) It is attachment to a name and shape that breeds fear. I am not attached. I am nothing, and nothing is not afraid of no thing. On the contrary, everything is afraid of the Nothing, for when a thing touches Nothing, it becomes nothing. (…)”

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“I know that mystery in the works of God is only another name for my ignorance. The moment, therefore, that I become humble, all becomes right.”

Richard Cecil (clergyman) (1748–1810) British Evangelical Anglican priest and social reformer

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 31.
Context: I cannot look around me without being struck with the analogy observable in the works of God. I find the Bible written in the style of His other books of Creation and Providence. The pen seems in the same hand. I see it, indeed, write at times mysteriously in each of these books; thus I know that mystery in the works of God is only another name for my ignorance. The moment, therefore, that I become humble, all becomes right.

“I held the feeling in my heart; the urge to discuss it died out. There was all the time in the world. In the endless repetition of other nights, other mornings, this moment, too, might become a dream.”

Banana Yoshimoto book Kitchen

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“What interests me is to paint the kind of anti-sensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward — neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.”

Roy Lichtenstein (1923–1997) American pop artist

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“I am tipsy after my
own feelings
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Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> The Tajmahal and my Love http://www.best-poems.net/love_poems/the_taj_mahal_amp_my_love.html/</span>
From Poetry

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