“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

— Edgar Degas

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

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Edgar Degas 67

French artist 1834–1917

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“There are no white skins, and there are no black skins. Humans skins are of different shades of orange.”

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“When I was young I was more obsessed with the materiality of things.... today I am more interested in air and atmosphere. This is why I deliberately treat space ambivalently. For example, an orange painting with white lines might be viewed as an orange wall with white lines, but the orange colour is no less atmospheric for all of that. It abounds white light, and the white line vibrate in a deep space, too, as well as an orange 'wall.”

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“As a white man is to a negro so is a negro to a crocodile; and as the negro may rightfully treat the crocodile, so may the white man rightfully treat the negro. This”

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Context: So that saying, "in the struggle between the negro and the crocodile," &c., is made up from the idea that down where the crocodile inhabits a white man can't labor; it must be nothing else but crocodile or negro; if the negro does not the crocodile must possess the earth; [Laughter; ] in that case he declares for the negro. The meaning of the whole is just this: As a white man is to a negro so is a negro to a crocodile; and as the negro may rightfully treat the crocodile, so may the white man rightfully treat the negro. This very dear phrase coined by its author, and so dear that he deliberately repeats it in many speeches, has a tendency to still further brutalize the negro, and to bring public opinion to the point of utter indifference whether men so brutalized are enslaved or not.

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“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

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version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

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“Aspen tree, your leaves glance white into the dark.”

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“It is only prejudice against the negro which calls every one, however nearly connected with the white race, and however remotely connected with the negro race, a negro.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The motive is not a desire to elevate the negro, but to humiliate and degrade those of mixed blood; not a desire to bring the negro up, but to cast the mulatto and the quadroon down by forcing him below an arbitrary and hated color line.
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“On the one hand, the negroes’ plane of living is kept down by discrimination from the side of the whites while, on the other hand, the white’s reason for discrimination is partly dependant on the negroes’ plane of living.”

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Edgar Degas 67

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