
“The audience, as ground, shapes and controls the work of art.”
Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 48
Vague Thoughts On Art (1911)
“The audience, as ground, shapes and controls the work of art.”
Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 48
Poetry and the World, Ecco Press,1988
Joseph Kosuth. (1969), as cited in: Claude Gintz, Musée d'Art Moderne Paris (1989). L'Art conceptuel, une perspective: exposition au Musée d'art moderne de la Ville de Paris, 22 nov. 1989 - 18 fév. 1990. p. 42
as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, - Jorn talks about the Nordic concept of Expressionism
1959 - 1973, Alpha and Omega', (1963–64)
Original: In arte, chi ha buon gusto, possiede una qualità fondamentale durante la realizzazione di qualsiasi opera.
Source: prevale.net
Original: (it) Avere contatto con il pubblico, vedere i sorrisi... sentire le emozioni che trasmette attraverso il suo inconfondibile calore, per chi lavora nello spettacolo, significa amore.
Source: prevale.net
version in Dutch (citaat van Israëls, in het Nederlands): Ik geloof niet in joodse kunst. Er zijn joodse kunstenaars, d.w.z. kunstenaars die joods geboren zijn, maar dat wil nog niet zeggen dat hun werk joodse kunst is.
Quote of Jozef Israëls, 9 July 1907, translated from his letter (written in German) to the committee of the Exhibition for Jewish Art in Berlin; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 55
Jozef Israëls was Jewish himself, but refused to call his art Jewish as the Zionist movement liked to call it
Quotes of Jozef Israels, after 1900
Original: (it) In tutto il mondo, per chi ne fa parte, musica, intrattenimento ed arte sono un'opera di emozioni: siatene grati.
Source: prevale.net
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1950s-1990s
Context: The artist must learn the difference between the appearance of an object and the interpretation of this object through his medium. The artist must create a spark before he can make a fire and before art is born, the artist must be ready to be consumed by the fire of his own creation.
Theo Jansen, quoted in: " 2015 International Kinetic Art Exhibit & Symposium - Boynton Beach, FL, USA http://intlkineticartevent.org/?page_id=107," 2015