“Several dozen journals now exist that print only verse. They don't publish literary reviews, just page after page of freshly minted poems. The heart sinks to see so many poems crammed so tightly together, like downcast immigrants in steerage. One can easily miss a radiant poem amid the many lackluster ones. It takes tremendous effort to read these small magazines with openness and attention. Few people bother, generally not even the magazines' contributors. The indifference to poetry in the mass media has created a monster of the opposite kind — journals that love poetry not wisely but too well.”

— Dana Gioia

Essays, Can Poetry Matter? (1991)

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Dana Gioia 80

American writer 1950

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“If after I read a poem the world looks like that poem for 24 hours or so I'm sure it's a good one—and the same goes for paintings.”

Elizabeth Bishop (1911–1979) American poet

“Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. …After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)

“Emerson writes in his Journal that all men try their hands at poetry, but few know which their poems are. The poets are not those who write poems, but those who know which of the things they write are poems.”

Carl Andre (1935) American artist

Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015

“A friend came over to the house
a few days ago and read one of my poems.
He came back today and asked to read the
same poem over again. After he finished
reading it, he said, "It makes me want to write poetry."”

Richard Brautigan (1935–1984) American novelist, poet, and short story writer

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“Many young poets, nowadays, are insured against everything. For them poetry is a game like court tennis or squash racquets — one they learned at college — and they play it with propriety, as part of their social and academic existence; their poems are occasional verse for which life itself is only one more occasion.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Recent Poetry," The Yale Review (Autumn 1955) [p. 231]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Poetry is like time travel, and poems take us to the heart of the matter”

Camilla, Duchess of Cornwall (1947) second wife of Prince Charles

About poems that moves her to tears
First World War centenary: the war poem that moves the Duchess of Cornwall to tears The Daily Telegraph 28 June 2014 http://www.telegraph.co.uk/history/world-war-one/10932405/First-World-War-centenary-the-war-poem-that-moves-the-Duchess-of-Cornwall-to-tears.html#disqus_thread

“A poem should improve on the blank page.”

Nicanor Parra (1914–2018) writer, poet, matematician, fisic

“Who says my poems are poems?
My poems are not poems.
When you know that my poems are not poems,
Then we can speak of poetry.”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
Who says my poems are poems?
My poems are not poems.
After you know my poems are not poems,
Then we can begin to discuss poetry!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006) http://www.hermitary.com/articles/ryokan_poetics.html
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

“It's a pity, a gentleman in refined retirement composing poetry:
He models his work on the classic verse of China.
And his poems are elegant, full of fine phrases.
But if you don't write of things deep in your own heart,
What's the use of churning out so many words?”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
With gaudy words their lines are formed
And further adorned by novel and curious phrases.
Yet if they fail to express what is in their own minds
What is the use, no matter
How many poems they compose!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006)
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

“or that writing a poem you can read to no one
is like dancing in the dark.”

Ovid (-43–17 BC) Roman poet

Source: The Poems of Exile: Tristia and the Black Sea Letters

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