“I was always interested in architecture, but the editors [of the magazines who demanded these subjects for the illustrations of Hopper] wanted people waving with their arms.”

— Edward Hopper

1911 - 1940
Source: 'Wake of the News, Washington Square North Boasts Strangers Worth Talking to', by Archer Winston, 'New York Post', November 26, 1935

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Edward Hopper 48

prominent American realist painter and printmaker 1882–1967

Larry LeSueur (1909–2003) American journalist

“In this industry, interest in you comes in waves, it's so tidal. And so I don't really want to jump on the first wave that comes along.”

Heath Ledger (1979–2008) Australian actor

Quoted in "Heath Ledger's Lonesome Trail" http://www.rollingstone.com/news/story/9448111/heath_ledgers_lonesome_trail/print, Rolling Stone, March 23, 2006.

“I was the first black woman editor at the New York Times Magazine – that’s crazy! I’m not that old where you’d think I could be the New York Times’ first anything, but I was… People wanted to know about things, they had questions about my hair, they wanted to know where I was from, they wanted to know if I only listen to hip-hop. When people aren’t exposed to difference, there’s a lot of burden put on you to explain…”

Veronica Chambers (1970) writer

On African American women being the “first” in their given fields in “Q&A with Veronica Chambers, author of ‘The Meaning of Michelle’” https://www.stanforddaily.com/2017/02/06/qa-with-veronica-chambers-author-of-the-meaning-of-michelle/ in The Stanford Daily (2017 Feb 6)

“Various editors, senior editors at major houses who wanted the book said that they didn't quite know what genre it was.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

“Partly through choice, I was never willing to hire out more than three days a week [making illustrations for the magazines to support himself, c. 1912] I kept some time to do my own work. Illustrating was a depressing experience. And I didn't get very good prices because I didn't often do what they wanted.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Quote in: 'Edward Hopper: The Emptying Spaces', Suzanne Burrey; in 'Art Digest', April 1, 1955 pp. 8 - 10
1941 - 1967

“When the demands of war and the dangers to our own people call us to arms—then we British are as we have always been: competent, courageous and resolute”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Rally at Cheltenham (3 July 1982) http://www.margaretthatcher.org/document/104989, regarding the Falkland Islands War.
First term as Prime Minister
Context: When we started out, there were the waverers and the fainthearts. The people who thought that Britain could no longer seize the initiative for herself. The people who thought we could no longer do the great things which we once did. Those who believed that our decline was irreversible—that we could never again be what we were. There were those who would not admit it—even perhaps some here today—people who would have strenuously denied the suggestion but—in their heart of hearts—they too had their secret fears that it was true: that Britain was no longer the nation that had built an Empire and ruled a quarter of the world. Well they were wrong. The lesson of the Falklands is that Britain has not changed and that this nation still has those sterling qualities which shine through our history. This generation can match their fathers and grandfathers in ability, in courage, and in resolution. We have not changed. When the demands of war and the dangers to our own people call us to arms—then we British are as we have always been: competent, courageous and resolute.

“Tor is the hard one. They employ a lot of editors, whose tastes vary. They don't always indicate who has edited what (on the choice of the editor, I think) so editor stalking can be more difficult with Tor. Ear-tagging works but is rather surprisingly illegal.”

James Nicoll (1961) Canadian fiction reviewer

[ddd4ej$hiv$1@reader2.panix.com, 2005]
2000s

“I would like to offer an illustration. Imagine a house which is well designed from a material or practical point of view... Apart from these physio-functional demands, there are also psycho-functional demands which correspond with our optical, phonetic and tactile experiences. Until now, mankind has attempted to satisfy these 'supra-material' demands with a painting on the wall or a sculpture in a room.... the architecture of the future will have to destroy this duality. Its task will be to express completely and fulfill all our demands.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

“My aim has always been modest; I wanted to transform the arranged marriage (of art and architecture) into a love match.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: Mon propos a toujours été modeste, je voulais transformer ce mariage de raison en un mariage d'amour.
Cited at : Ferron, Marcelle; Prix Paul-Émile-Borduas 1983; Catégorie : Culturelle http://www.prixduquebec.gouv.qc.ca/recherche/desclaureat.php?noLaureat=183 at prixduquebec.gouv.qc.ca, 2012-10-29

“I hate looking at photography books or illustrated magazines. This is not because of contempt. I’d rather look at contact sheets: that is where you can sense the individual.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 62

“I was always interested in architecture, but the editors [of the magazines who demanded these subjects for the illustrations of Hopper] wanted people waving with their arms.”

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Edward Hopper 48

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