Arp's quote on his wife, in 'Sophie Taeuber-Arp', Hans Arp; in Arp on Arp: Poems, Essays, Memories, ed. Marcel Jean, transl. Joachim Neugroschel; Viking Press, New York 1972, p. 222
1910-20s
“Already in 1915, Sophie Taeuber [his wife] divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly [as Mondrian, Itten and Paul Klee did in the same period]. She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.”
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 288, Arp refers in this quote to the structure in the early watercolor paintings by his wife Sophie Taeuber.
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Hans Arp 42
Alsatian, sculptor, painter, poet and abstract artist 1886–1966Related quotes
Quote (1930), from a studio-visit at Mondrian's place in Paris, as cited by by Mondrian's recent biographer Hans Janssen, of the Gemeentemuseum in The Hague; as cited by Alastair Sooke, in 'Mondrian - the Joy of Being Square'; BBC culture, 10 July 2017 http://www.bbc.com/culture/story/20170710-mondrian-the-joy-of-being-square
1930s - 1950s
a remark on the art of Sophie Taeuber, whom he later married.
in Abstract Painting Michel Seuphor, Dell Publishing Co., 1964, p. 58
1960s
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
“Never paint except with the three primary colors [red, blue, and yellow] and their derivatives.”
Attributed to Pisarro, in Philip Ball (2001() Bright Earth: Art and the Invention of Color. p. 178
Advise to his students to lightening their palette and remove colours such as black, ocher and sienna
undated quotes
Quote in Franz Marc's letter to August Macke, Dec. 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 129
1905 - 1910
In 'Unsern täglichen Traum', Hans Arp (1914 - 1954); p. 76; as quoted in Arp, ed. Serge Fauchereau, Ediciones Poligrafa, S. A., Barcelona 1988, p. 11
1960s
as quoted by Lucy R. Lippard, in 'Hommage to the Square', Art in America, July-August 1967, p. 55
This quote is one of the most frequently quoted statements of Agnes Martin. A later variation by her: 'The rectangle is pleasant, whereas the square is not'; Agnes Martin is than 89 - quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner Univ. of California Press 2012, p. 263
1960's