“We act out our encounter with the unknown world. We act it out in a way that is analogous to the manner that's presented as a description of what it is that God does at the beginning of time to extract habitable order out of chaos. So you act it out first. Then the second thing is, you watch people who act it out, and you start to make representations of that. That's stories, right? And maybe you admire them. And then maybe after a long time you collect a bunch of those stories, and you can say what that is. You can articulate it as a pattern.”

“You can never visit the same place twice. Each time, it's a different story. By the very act of coming back, you wipe out what came before.”

““The dominance hierarchy is a mechanism that selects heroes and breeds them. And so then we watch that for six million years. We start to understand what it means to be the hero. We start to tell stories about that, and so then not only are we genetically aiming at that with the dominance hierarchies - the selection mechanism mediated by female choice - but our stories are trying to push us in that direction. And so then we say, 'Well, look, that person is admirable.' We tell a story about him. And then we say, 'This person is admirable,' and we tell a story about him. And at the same time we talk about the people who aren't admirable. And then we start having admirable and non-admirable as categories. And out of that you get something like good and evil. And then you can start to imagine the perfect person. You take ten admirable people and you pull out someone who is meta-admirable. And that's a hero. That becomes a religious figure across time. That becomes a savior or a messiah across time as we conceptualize what the ideal person is. In the West here's how we figured it out: we said that the ideal man is the person that tells the truth. And what that means is that it's the best way of climbing up any possible dominance hierarchy in the way that's most stable and most lasting. That's the conclusion of Western culture."”

“So live as if you were living already for the second time and as if you had acted the first time as wrongly as you are about to act now!”

“One of the things Jung said is everybody acts out a myth but very few people know what their myth is and you should know what your myth is because it might be a tragedy and maybe you don't want it to be.”

“Somehow, acting brings out parts of your personality that maybe you didn’t know were there, or the character brings out some little part of you that has been dormant for your whole life, you know? And then when you get the chance to play these characters, some-times things come out of you that are quite surprising and that you don’t even know are inside of you. It’s an amazing thing to experience that.”

“Maybe this was what Aunt Peg meant all along - returning was a weird thing. You can never visit the same place twice. Each time, it's a different story. By the very act of coming back, you wipe our what came before.”

“This is a second act for me, and you give me that. I wanna thank you for this. I'm so grateful and proud. I just wanna to dedicated this (the award) to anyone else out there, who is trying to get a second act, because you can do. (Speech after receiving the British Academy Film Awards for the Best Director)”

“I know you guys are living out your own private Romeo and Juliet love story, but remember: Both of them die in Act V.”

“It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”