[O] : Introduction, 0.8
Semiotics and the Philosophy of Language (1984)
Context: Certainly, the categories posited by a general semiotics can prove their power insofar as they provide a satisfactory working hypothesis to specific semiotics. However, they can also allow one to look at the whole of human activity from a coherent point of view. To see human beings as signifying animals — even outside the practice of verbal language — and to see that their ability to produce and to interpret signs, as well as their ability to draw inferences, is rooted in the same cognitive structures, represent a way to give form to our experience. There are obviously other philosophical approaches, but I think that this one deserves some effort.
“Drawing is not the same as form; it is a way of seeing form.”
Le dessin n'est pas la forme, il est la manière de voir la forme.
"Drawing Is Not the Same As Form..." (p. 82)
posthumous quotes, Degas Dance Drawing' (1935)
Original
Le dessin n'est pas la forme, il est la manière de voir la forme.
posthumous quotes, Degas Dance Drawing' (1935)
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Edgar Degas 67
French artist 1834–1917Related quotes
“Thought forms in the soul the same way clouds form in the air.”
The Chinese Language: Fact and Fantasy (1984, p. 140) http://www.pinyin.info/readings/texts/ideographic_myth.html
The Chinese Language: Fact and Fantasy (1984)
“The way i see it, love is just a bigger, stickier form of trust.”
Source: Mercy
“Drawing the line,
The Boundary line
Between this form and that
Is what the mind does.”
Art Psalms (2008), Let Love Draw the Line
Source: Laws of Form, (1969), p. 1, cited in Niklas Luhmann, Risk: A Sociological Theory, Walter de Gruyter, 1993 p. 223.
Notes to The Atrocity Exhibition (1970; written 1967 - 1969, annotated 1990)
Context: All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or ancient Egypt, is reassimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonise past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality in attractive and instantly appealing forms.