“Everybody enjoys arguing about the current state of music because it feels as if you are talking about something incredibly important, yet it requires little understanding of the subject matter at hand. It's like world politics meets the pink questions in Trivial Pursuit. Points are made but nothing gets accomplished.”

—  John Mayer

Esquire, in the column "The Resident Rock Star: JOHN MAYER" http://www.keepmedia.com/pubs/Esquire/2004/07/01/484084?from=search&criteria=john+mayer (July 1, 2004)

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John Mayer 61
guitarist and singer/songwriter 1977

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“For me, I can still say music is God, music is the face of God. That's everybody, that's the hearts of men. And that's important to me. But that's not the way everybody sees it. And, of course, what happened in interviews, especially in collective interviews, was that people would ask me questions and I would talk about development and ideals, about which I already have talked too much this afternoon, and these questions would be posed to the other musicians and they would say, "We don't want to feel that way at all, we're not into that."”

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“Nobody wants to be dancing to political songs. Every bit of music out there that’s making it into the mainstream is really about nothing. I wanted to see if I could write songs about something important and make it sound like nothing. And it kind of worked.”

M.I.A. (1975) British recording artist, songwriter, painter and director

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“Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the products something that, though it may not be for everybody, is about everybody.”

Richard Wilbur (1921–2017) American poet

National Book Award Acceptance Speech (1957)
Context: It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men. And he speaks not in private grunts and mutterings but in the public language of the dictionary, of literary tradition, and of the street. Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the products something that, though it may not be for everybody, is about everybody.

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