quote in a letter to Frédéric Bazille, September 25, 1869; as cited in: Bonafoux (1986, 72), cited in Michael P. Farrell (2003) Collaborative Circles: Friendship Dynamics and Creative Work. p. 42
1850 - 1870
Context: [Chopping wood] is harder than you think, and I'll bet that you would not split much wood... All the same, I have probably not reached the end of my troubles. Here is winter at hand, a season not very pleasant for the wretched. Then comes the Salon. Alas! I still won't be in it, for I shall have done nothing. I have a dream a picture of the bathing spot at the Grenouillere, for which I've made a few poor sketches, but it is a dream. Renoir, who has just spent two months here, also wants to do this painting.
“I went to see this picture [Raphael's painting 'Madonna della Sedia' which Renoir saw in Florence in 1882] just to have a good laugh – and I found myself in front of the most wonderfully free, solid, simple, alive painting it is possible to imagine – arms and legs of real flesh, and what a touching expression of maternal tenderness.”
Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard
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Pierre-Auguste Renoir 44
French painter and sculptor 1841–1919Related quotes
as quoted in: Marc Chagall, – a Biography, Sidney Alexander, Cassell, London, 1978, p. 178
1910 - 1920
In his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as quoted in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 131 (LPPR, 42)
w:Simon Schrama quotes this remark as a proof of Rubens as a sales-man who want to sell the altar-piece to the Duke of Mantua, who (as he wrote optimistically to Chieppio), had expressed an interest in having one of his paintings in his gallery. That's why Rubens emphasized the 'rich dress' of the figures
1605 - 1625
[Daily News staff, Daily News, South Africa, Portraiture painful for penile artist, 24 August 2011, 2, Independent Online]
In a letter, 1923; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 52
1920's
Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52
“Paint what you feel. Paint what you see. Paint what is real to you.”
Source: Henri, Robert (2007) [1923], p. 285.
Source: 1950's, Interview by William Wright, Summer 1950, p. 144
Kenneth Noland, p. 9
Conversation with Karen Wilkin' (1986-1988)