“John Cage said that music is the moral evaluation of sound. We might generalize his remark: when we speak of art, we make a moral evaluation of the relative worth of the various contributions to a work. It is no surprise that many of the participants differ with more conventional evaluations and rank their own contributions as more important than that of the artist as conventionally defined.”

—  Howard S. Becker

Art Worlds (1982)

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Howard S. Becker photo
Howard S. Becker 35
American sociologist 1928

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“Baldner contends that is "arrogant" and "paternalistic" morally to condemn something as definitive of the natural order as predation. However, it is in the nature of morality to devise ideals of a better world and to work toward realizing them. This entails judging this world to be less than ideal and working to change it. One could restrict moral evaluations to the products of human activity, but that would be arbitrary: what makes suffering (prima facie) morally bad is not that it is the result of human activity but that it is suffering. Our commitment to making the world a morally better place impels us to make moral evaluations of the natural order. There need be nothing either arrogant or paternalistic in making and acting on such evaluations, provided we recognize the very limited nature of our understanding and our power to make improvements.”

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“It is an assumption that there is always one single dimension for assessing persons and their actions that has canonical priority. This is the dimension of moral evaluation; “good/evil” is supposed always to trump any other form of evaluation, but that is an assumption, probably the result of the long history of the Christianisation and then gradual de-Christianisation of Europe, which one need not make. Evaluation need not mean moral evaluation, but might include assessments of efficiency, … simplicity, perspicuousness, aesthetic appeal, and so on.”

Raymond Geuss book Philosophy and Real Politics

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Asger Jorn photo

“This is not an objective, historical or psychological evaluation of Danish experimental art and its historical roots, but an ideological and artistic, collective representation of our own work, thoughts, and ideas. It shows how we ourselves view our work and our way of working, and considers which of the many traditions that make up our foundation we feel connected to.”

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“The whole of moral philosophy, as it is now widely taught, rests on a contrast between statements of fact and evaluations. … If a man is given good evidence for a factual conclusion he cannot just refuse to accept the conclusion on the ground that in his scheme of things this evidence is not evidence at all. With evaluations, however, it is different. An evaluation is not connected logically with the factual statements on which it is based.”

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“Its purpose is moral, that is, the evaluation of experience; in the deepest sense, the development of taste.”

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“More people are killed every year by pigs than by sharks, which shows you how good we are at evaluating risk.”

Bruce Schneier (1963) American computer scientist

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“English: For his high level of work, a contribute for the Albanian art and for preparing the new generation of artists.”

Sadik Kaceli (1914–2000) Albanian artist

Për nivel të lartë në krijimtari, një kontribut në shquar në artet figurative Shqiptare dhe një ndihmë të pakursyer në përgatitjen e brezave të artistëve të rinj.
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“…I established the rule that once we hire an employee, his school records are a matter of the past and are no longer used to evaluate his work or decide on his promotion.”

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Prevale photo

“Instinct is always the first important signal to evaluate.”

Prevale (1983) Italian DJ and producer

Original: (it) L'istinto è sempre il primo segnale importante da valutare.
Source: prevale.net

Prevale photo

“Instinct is always the first important signal to evaluate.”

Prevale (1983) Italian DJ and producer

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