“I am not insensible to natural beauty, but my emotional joys center on the improbable yet sometimes wondrous works of that tiny and accidental evolutionary twig called Homo sapiens. And I find, among these works, nothing more noble than the history of our struggle to understand nature—a majestic entity of such vast spatial and temporal scope that she cannot care much for a little mammalian afterthought with a curious evolutionary invention, even if that invention has, for the first time in some four billion years of life on earth, produced recursion as a creature reflects back upon its own production and evolution. Thus, I love nature primarily for the puzzles and intellectual delights that she offers to the first organ capable of such curious contemplation.”

— Stephen Jay Gould

Prologue, p. 13
Bully for Brontosaurus (1991)

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Stephen Jay Gould 274

American evolutionary biologist 1941–2002

Stephen Jay Gould (1941–2002) American evolutionary biologist

And I find, among these works, nothing more noble than the history of our struggle to understand nature—a majestic entity of such vast spatial and temporal scope that she cannot care much for a little mammalian afterthought with a curious evolutionary invention, even if that invention has, for the first time in some four billion years of life on earth, produced recursion as a creature reflects back upon its own production and evolution. Thus, I love nature primarily for the puzzles and intellectual delights that she offers to the first organ capable of such curious contemplation.
Prologue, p. 13
Bully for Brontosaurus (1991)

“Included in this “almost nothing,” as a kind of geological afterthought of the last few million years, is the first development of self-conscious intelligence on this planet—an odd and unpredictable invention of a little twig on the mammalian evolutionary bush. Any definition of this uniqueness, embedded as it is in our possession of language, must involve our ability to frame the world as stories and to transmit these tales to others. If our propensity to grasp nature as story has distorted our perceptions, I shall accept this limit of mentality upon knowledge, for we receive in trade both the joys of literature and the core of our being.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Literary bias on the slippery slope", p. 252
Bully for Brontosaurus (1991)

“I like to summarize what I regard as the pedestal-smashing messages of Darwin's revolution in the following statement, which might be chanted several times a day, like a Hare Krishna mantra, to encourage penetration into the soul: Humans are not the end result of predictable evolutionary progress, but rather a fortuitous cosmic afterthought, a tiny little twig on the enormously arborescent bush of life, which, if replanted from seed, would almost surely not grow this twig again, or perhaps any twig with any property that we would care to call consciousness.”

Stephen Jay Gould book Dinosaur in a Haystack

"Can We Complete Darwin's Revolution?", p. 327
Dinosaur in a Haystack (1995)

“Like Wilson and a slew of other authors working on what was once called "sociobiology" but is now usually called "evolutionary behavior" or "evolutionary psychology," I am convinced that there is a biological and universal human nature, and that it appears manifest in the human record. The question is, how might that insight… be folded into the narratives that give our immediate history meaning and power?”

Dan Flores (1948) American historian

The Natural West: Environmental History in the Great Plains and Rocky Mountains (2003)

“Human subtlety…will never devise an invention more beautiful, more simple or more direct than does nature, because in her inventions nothing is lacking, and nothing is superfluous.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Richter II p. 126 no. 837 books.google http://books.google.de/books?id=A7dUhbBfmzMC&pg=PA126
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

“Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most “obvious,” “accurate,” and “natural” style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Seeing Eye to Eye, Through a Glass Clearly", p. 72
Leonardo's Mountain of Clams and the Diet of Worms (1998)

“Homo sapiens is the species that invents symbols in which to invest passion and authority, then forgets that symbols are inventions.”

Joyce Carol Oates (1938) American author

"The Calendar's New Clothes," New York Times (30 December 1999)

“If there is one idea that has dominated the history of the United States, it is the idea of progress. Yet analyses of this idea are surprisingly rare. Furthermore, in spite of having been founded by a rather small revolution, the dominant dynamic of the United States has been evolutionary, through social mutation (invention), production, and selection. In this paper, therefore, I propose to look at the larger question of the nature of evolutionary change, and the conditions under which change can be identified as progress.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding et all. (1978) From Abundance to Scarcity Implications for the American Tradition https://kb.osu.edu/dspace/bitstream/handle/1811/6209/FROM_ABUNDANCE_TO_SCARCITY_IMPLICATIONS_FOR_THE_AMERICA.pdf?sequence=1
1970s

“The rodents’ vast litters incidentally offered up much raw material to the blind sculptors of natural selection; their evolutionary rate was ferocious.”

Stephen Baxter book Evolution

Source: Evolution (2002), Chapter 5 “The Time of Long Shadows” section III (p. 132)

“The Minimalists were nonobjective. They just recorded beauty, I guess, without the emotions - or at least without personal emotions. My work is a little more emotional than that.”

Agnes Martin (1912–2004) American artist

1980 - 2000, Perfection Is in the Mind', 1995

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