The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Part II, Ch. 2: 'General Reflections upon what is called good Taste', pp. 45–46
“There is … a clever maxim which bears upon what I was saying to you some little while ago, and that is, that unless wicked ideas take root in a naturally depraved mind, human nature, in a right] and wholesome state, revolts at [[crime. Still, from an artificial civilisation have originated wants, vices, and false tastes, which occasionally become so powerful as to stifle within us all good feelings, and ultimately to lead us into guilt and wickedness…”
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The Count of Monte Cristo (1845–1846)
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Alexandre Dumas 123
French writer and dramatist, father of the homonym writer a… 1802–1870Related quotes
Chpt.2, p. 11
Principles of Geology (1832), Vol. 1
Context: We learn particularly from the Timaeus of Plato, that the Egyptians believed the world to be subject to occasional conflagrations and deluges, whereby the gods arrested the career of human wickedness, and purified the earth from guilt. After each regeneration, mankind were in a state of virtue and happiness, from which they gradually degenerated again into vice and immorality. From this Egyptian doctrine, the poets derived the fable of the decline from the golden to the iron age.
Letter to his daughter Sarah Mason McCarty after the death of an infant daughter (10 February 1785), published in The Life of George Mason, 1725-1792 Vol. 2 (1892) by Kate Mason Rowland, p. 74
That a thing is unnatural, in any precise meaning which can be attached to the word, is no argument for its being blamable; since the most criminal actions are to a being like man not more unnatural than most of the virtues.
Source: On Nature (1874), p. 102
Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: Finally rises philosophy, which, after a few monstrous efforts from Calvin to Leibnitz to reconcile contradictions and form a theodice, comes out boldly in Spinozism to declare the impossibility of the existence of a power antagonistic to God; and defining the perfection of man's nature, as the condition under which it has fullest action and freest enjoyment of all its powers, sets this as a moral ideal hefore us, toward which we shall train our moral efforts as the artist trains his artistic efforts towards his ideal. The success is various, as the faculties and conditions which God has given are various; but the spectre which haunted the conscience is gone. Our failures are errors, not crimes — nature's discipline with which God teaches us; and as little violations of His law, or rendering us guilty in His eyes, as the artist's early blunders, or even ultimate and entire failures, are laying store of guilt on him.
VIII 10 as translated by Dorothea Waley Singer (1950)
De immenso (1591)
Speech at the Opening of the Bandung Conference
"On the Conservation of Force" (1862), p. 279
Popular Lectures on Scientific Subjects (1881)
Source: Ethics and Education (1912), The Biology of Child Nature, p. 135