“A novelist has to enter deeper exile still. In most outward ways the experience was depressive, as many young would-be writers and painters who have ever gone to Greece have discovered. We used to have a nickname for the sense of inadequacy and accidie it produced – the ‘Aegean blues’. One has to be a very complete artist to create good work among the purest and most balanced landscapes on the planet…The Greece of the Islands is Circe still; no place for the artist-voyager to linger long, if he cares for his soul.”
Introduction (1977 edition)
The Magus (1965)
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John Fowles 120
British writer 1926–2005Related quotes

As quoted in "New York at Work; Puppeteer Creates Shows for Grown-Ups" by N. R. Kleinfield The New York Times (2 July 1991) http://www.nytimes.com/1991/07/02/nyregion/new-york-at-work-puppeteer-creates-shows-for-grown-ups.html
Context: We have a ways to go in understanding the power of puppetry … Our problem is for too long we have thought of puppets being for children. … The appeal of puppetry to me is it's much more freeing for an artist … Puppetry is a completely controllable means to attack your characters in every possible way. The artist has the possibility to create a much larger landscape with puppetry. The human becomes more human in that sense. Another of the great things about puppetry is the ability to transform.

New Year's Address to the Nation (1991)
“An Unread Book”, p. 20
The Third Book of Criticism (1969)

"Economics in the Crisis" http://krugman.blogs.nytimes.com/2012/03/05/economics-in-the-crisis/ (March 5, 2012)
The Conscience of a Liberal blog

"A Qualified Farewell" (essay, early 1950's), published in The Notebooks of Raymond Chandler (1976)

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona