“Has the artist ever considered the history of the "chop" which is brought so elegantly to his studio? … He has first employed a slaughterman … to convert a beautiful living creature into a hideous carcase, to be displayed with other carcases in that ugliest product of civilisation, a butcher's shop, and then he has employed a cook to conceal, as far as may be, the work of the slaughterman. This is what the Spectator calls being "humanised" by schools of cookery; I should call it being de-humanised.”

The Humanities of Diet

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Has the artist ever considered the history of the "chop" which is brought so elegantly to his studio? … He has first em…" by Henry Stephens Salt?
Henry Stephens Salt photo
Henry Stephens Salt 19
British activist 1851–1939

Related quotes

Robert Louis Stevenson photo

“We do not go to cowards for tender dealing; there is nothing so cruel as panic; the man who has least fear for his own carcase, has most time to consider others.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

314.
Aes Triplex (1878)

R. G. Collingwood photo
Henry Stephens Salt photo
Hilaire Belloc photo

“The Barbarian hopes — and that is the very mark of him — that he can have his cake and eat it too. He will consume what civilisation has slowly produced after generations of selection and effort but he will not be at pains to replace such goods nor indeed has he a comprehension of the virtue that has brought them into being.”

Hilaire Belloc (1870–1953) writer

Ch. XXXII : The Barbarians , p. 282 https://books.google.com/books?id=EyrQAAAAMAAJ&pg=PA282
This and That and the Other (1912)
Context: The Barbarian hopes — and that is the very mark of him — that he can have his cake and eat it too. He will consume what civilisation has slowly produced after generations of selection and effort but he will not be at pains to replace such goods nor indeed has he a comprehension of the virtue that has brought them into being. Discipline seems to him irrational, on which account he is for ever marvelling that civilisation should have offended him with priests and soldiers.

Robert Chambers (publisher, born 1802) photo

“It may be asked, if He, as appears, has chosen to employ inferior organisms as a generative medium”

Source: Vestiges of the Natural History of Creation (1844), p. 235
Context: It may be asked, if He, as appears, has chosen to employ inferior organisms as a generative medium for the production of higher ones, even including ourselves, what right have we, his humble creatures, to find fault? There is, also, in this prejudice, an element of unkindliness towards the lower animals, which is utterly out of place. These creatures are all of them part products of the Almighty Conception, as well as ourselves.... Let us regard them in a proper spirit, as parts of the grand plan, instead of contemplating them in the light of frivolous prejudices, and we shall be altogether at a loss to see how there should be any degradation in the idea of our race having been genealogically connected with them.

Northrop Frye photo

“Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter Five, p. 136

John Bright photo

“The right hon. Gentleman is the first of the new party who has expressed his great grief by his actions—who has retired into what may be called his political Cave of Adullam—and he has called about him every one that was in distress and every one that was discontented.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech https://api.parliament.uk/historic-hansard/commons/1866/mar/13/adjourned-debate-second-night in the House of Commons (13 March 1866).
1860s

Yves Klein photo

“The essential of painting is that something, that 'ethereal glue', that intermediary product which the artist secretes with all his creative being and which he has to place, to encrust, to impregnate into the pictorial stuff of the painting.”

Yves Klein (1928–1962) French artist

Yves Klein, catalogue of exhibition in the Jewish Museum, New York 1967, p. 18
from posthumous publications

Related topics