
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 23.
1910, Manifesto of Futurist Painters,' April 1910
In a letter to Marinetti, May 1911; as cited by Anne Coffin Hanson, 'Severini Futurista: 1912-1917', exhibition catalog, Connecticut: Yale University Art Gallery, 1995, p. 134
Severini expressed his unwavering dedication to Futurism, approving of its program by citing a fundamental passage of the Futurist manifesto
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 23.
1910, Manifesto of Futurist Painters,' April 1910
Source: 1930s- 1950s, Landmarks of Tomorrow: A Report on the New 'Post-Modern' World (1959), p. 22
Source: The Causal Texture of Organizational Environments (1963), p. 30.
“We want a machine that is constantly remaking itself.”
Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)
Preface, p. xvi
World Brain (1938)
Context: We do not want dictators, we do not want oligarchic parties or class rule, we want a widespread world intelligence conscious of itself. To work out a way to that world brain organization is therefore our primary need in this age of imperative construction.
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 183: Serge Fauchereau (1988) in Arp, p. 20 commented: 'Even though his work was nonrepresentational, Arp disapproved of the term 'abstract art' being applied to it, as he often explained with the above quote'.
Context: We do not wish to copy nature. We do not want to reproduce, we want to produce. We want to produce as a plant produces a fruit and does not itself reproduce. We want to produce directly and without meditation. As there is not the least trace of abstraction in this art, we will call it concrete art.