“If I tend to reread the European past in my own Postmodern image, if I frequently write about Bach and Beethoven in the same ways in which I discuss the Artist Formerly Known as Prince and John Zorn, it is not to denigrate the canon but rather to show the power of music all throughout its history as a signifying practice. For this is how culture always works—always grounded in codes and social contracts, always open to fusions, extensions, transformations. To me, music never seems so trivial as in its 'purely musical' readings. If there was at one time a rationale for adopting such an intellectual position, that time has long since past. And if the belief in the nineteenth-century notion of aesthetic autonomy continues to be an issue when we study cultural history, it can no longer be privileged as somehow true.”

— Susan McClary

McClary, Susan (2000), Conventional Wisdom: The Content of Musical Form, p. 186–169. Berkeley: University of California Press. ISBN 0520232089

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "If I tend to reread the European past in my own Postmodern image, if I frequently write about Bach and Beethoven in the…" by Susan McClary?

Susan McClary 5

American musicologist 1946

Related quotes

“I’m a word freak. I like words. I’ve always compared writing to music. That’s the way I feel about good paragraphs. When it really works, it’s like music.”

Hunter S. Thompson (1937–2005) American journalist and author

“The plan is to always have a plug into my past, where I am from. And how deep that is and having that gave me confidence to be able to expand. I am confident that I have something (music) that is backing me and that is always there for me… so that I can explore more, learn and grow more as an artiste and as a musician.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

“In the course of my life I have often had intimations in dreams "that I should make music." The same dream came to me sometimes in one form, and sometimes in another, but always saying the same or nearly the same words: Make and cultivate music, said the dream. And hitherto I imagined that this was only intended to exhort and encourage me in the study of philosophy, which has always been the pursuit of my life, and is the noblest and best of music.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

“I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilized music in the world.”

Peter Ustinov book Dear Me

Dear Me (1977)

“Jewish folk music has made a most powerful impression on me. I never tire of delighting in it, it's multifaceted, it can appear to be happy while it is tragic. It's almost always laughter through tears. This quality of Jewish folk music is close to my ideas of what music should be. There should always be two layers in music. Jews were tormented for so long that they learned to hide their despair. They express despair in dance music.”

Dmitri Shostakovich book Testimony

Page 156
Testimony (1979)

“My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music.”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

As quoted in "On Record : Zooey Deschanel of She & Him" at American Songwriter (18 March 2010).
Context: My goal as an actor is always to be as truthful as possible, and to find the truth in the material I am representing. So I think that it’s the same with performing music. But in a way, performing your own music, it’s easier to find the truth in it, because it’s coming from yourself. There’s no translation needed.

“I've always known who I am. I might not work perfectly, or be like them, but that's okay. I know I work in my own way.”

Sarah Dessen book Keeping the Moon

Source: Keeping the Moon

“Now, I should like to say something else to you about the connection with music, primarily that of Bach, i. e. the Fugue or, put more simply, the canon... It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour..”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): 'Nu wou ik je nog wat zeggen over het verband met muziek, en wel in hoofdzaak met die van Bach, d.w.z. de Fuga, of eenvoudiger canon.. .Het heeft heel veel van mijn motieven, die ik ook om verschillende assen laat draaien. Ik heb dat gevoel van relatie, verwantschap, tegenwoordig zoo sterk, dat ik tijdens het luisteren naar Bach, dikwijls geïnspireerd word en een sterke drang naar zijn dwingende ritme voel, een cadans die iets van de eindeloosheid zoekt. In de Fuga is alles gebaseerd op een enkel motief, dikwijls maar van enkele noten. Bij mij draait ook alles om een enkele gesloten contour..
Quote from Escher’s letter, 1940 to his friend Hein 's-Gravezande; as cited (and translated!) on the website of museum 'Escher in the Palace', The Hague: dutch original text https://www.escherinhetpaleis.nl/escher-vandaag and english translation https://www.escherinhetpaleis.nl/escher-today/?lang=en
1940's

“For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Classic Essays on Twentieth-Century Music, ISBN 0028645812.

“I'd never heard anything like it before. It was like banshee music. This absolutely otherworldly voice, singing about a book, and as a bookish kid, I was always fascinated by anything, any music that seems to be about or inspired by books.”

Neil Gaiman (1960) English fantasy writer

On the song "Wuthering Heights"
The Kate Bush Story (2014)

Help us to complete the source, original and additional information

Susan McClary 5

Related quotes

Related topics