“Dialogue in Hell:
First Dialogue

Machiavelli:…I am less preoccupied by what is good and moral than by what is useful and necessary.
…I will tell you that, as a witness in my homeland of the fickleness and the cowardice of the populace, of its innate taste for slavery, of its incapacity to conceive and to respect the conditions of free life; it is to my eyes a blind force which dissolves itself sooner or later, if it is not in the hands of a single man that it would never be able to administer, nor to judge, nor to make war….”

— Will Eisner

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

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Will Eisner 87

American cartoonist 1917–2005

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“The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.”

William Shakespeare A Midsummer Night's Dream

Source: A Midsummer Night's Dream

“Dialogue in Hell:
First Dialogue”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
Variant: Dialogue in Hell:
Twentieth Dialogue

“Dialogue in Hell:
Twenty-third through twenty-fifth dialogues

Machiavelli: The cult of the prince is a sort of religion and, like all possible religions, this cult prescribes contradictions and mysteries beyond reason.
…I wish my aims to be impenetrable, even to those who are closest to me. I would only communicate my projects when I gave the command for execution….
His counselors ask one another secretly what he will think of next. He personifies in their eyes the Providence whose ways are”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Dialogue in Hell:
Twenty-First Dialogue

Machiavelli: I am afraid that you are somewhat prejudiced against loans;… modern economists today expressly recognize that, far from impoverishing the state, public debts enrich it. Will you allow me to explain how?
Montesquieu:…. I should first of all like to know from whom you will ask so much capital, and for what reason you will ask it.
Machiavelli: For that, foreign wars are a great help. In the great states, they permit the borrowing of five or six hundred millions; one manages so as to spend only half or two-thirds, and the rest finds its place in the treasury for domestic expenditures.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Dialogue in Hell:
Seventeenth Dialogue

Montesquieu:… Now I understand the apologue the god Vishnu; you have a hundred arms like the Hindu idol and each one of your fingers touches a spring. In the same way that you touch everything, are you also able to see everything?
Machiavelli: Yes, for I shall make of the police an institution so vast that in the heart of my kingdom half of the people shall see the other half…
…If, as I scarcely doubt, I succeed in attaining this result, here are some of the forms by which my police would manifest themselves abroad: men of pleasure and good company in the foreign courts, to keep an eye on the intrigues of the princes and of the exiled pretenders…the establishment of political newspapers in the great capitals, printers and book stores places in the same conditions and secretly subsidized.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Dialogue in Hell:
Tenth Dialogue”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
Variant: Dialogue in Hell:
Fourth Dialogue

“Dialogue in Hell:
Seventeenth Dialogue”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Dialogue in Hell:
Ninth Dialogue

Machiavelli: And where have you ever seen that a constitution, really worthy of the name, really durable, has ever been the result of popular deliberation? A constitution must come forth fully armed from the head of one man alone, or it is nothing but a work condemned to oblivion. Without homogeneity, without linking of parties, without practical strength, it will necessarily bear the imprint of all the weaknesses of sight that have presided at its composition….

Montesquieu: …One would say, to hear you, that you are going to draw a people out of chaos or out of the deep night of their first origins….

Machiavelli: I do not say no: therefore you will see that I need not destroy your institutions from top to bottom to arrive at my goal. It will suffice me to modify the arrangements and to change the methods.”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

“Solitude is greater than I anticipated. My sense of values is changing, and many things which before were in solution in my mind now seem to be crystallizing. I am better able to tell what in the world is wheat for me and what is chaff. In fact, my definition of success itself is changing.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

Source: Alone (1938), Ch. 6

“I must stay alone and know that I am alone to contemplate and feel nature in full; I have to surrender myself to what encircles me, I have to merge with my clouds and rocks in order to be what I am. Solitude is indispensible for my dialogue with nature.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote of Friedrich, 1821; as cited in Authenticity and Fiction in the Russian Literary Journey, 1790-1840 (2000) by Andreas Schönle, p. 108, from memoirs of Vasily Zhukovsky
Variant translation: I have to stay alone in order to fully contemplate and feel nature.
This answer of Friedrich is recorded by Vasily Zhukovsky who asked the painter in 1821 to travel together to Switzerland
1794 - 1840

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