“What's more American than violence?”
Edward Abbey book The Monkey Wrench Gang
Hayduke wanted to know. "Violence, it's as American as pizza pie.
The Monkey Wrench Gang (1975)
The Monkey Wrench Gang (1975)
“What's more American than violence?”
Edward Abbey book The Monkey Wrench Gang
Hayduke wanted to know. "Violence, it's as American as pizza pie.
The Monkey Wrench Gang (1975)
Camille Paglia (1947) American writer
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 235
Édouard Louis (1992) French writer
On how he wants to be perceived as a writer in “Édouard Louis: 'I want to be a writer of violence. The more you talk about it, the more you can undo it'” https://www.theguardian.com/books/2018/jun/09/edouard-louis-i-want-to-be-a-writer-of-violence-the-more-you-talk-about-it-the-more-you-can-undo-it in The Guardian (2018 Jun 9)
M.I.A. (1975) British recording artist, songwriter, painter and director
Interview http://www.computerandvideogames.com/article.php?id=253248 to Complex magazine (2010) <br class="br">Sourced quotes
Toni Morrison (1931–2019) American writer
Nobel Prize Lecture (1993)
Context: Tongue-suicide is not only the choice of children. It is common among the infantile heads of state and power merchants whose evacuated language leaves them with no access to what is left of their human instincts for they speak only to those who obey, or in order to force obedience. The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek — it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language — all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas.
Harry Hay (1912–2002) American gay rights activist
Statement of Purpose: Gay Liberation Front (Dec. 1969)
L. Neil Smith (1946) American writer
Statement of purpose, L. Neil Smith's "The Webley Page" http://www.lneilsmith.org/
“Our violence is, as you know, cartoon violence.”
Lloyd Kaufman (1945) American film director
Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 <br class="br">2014