Remarks at Amherst College (26 October 1963)
1963
“Thus we must carefully distinguish between two kinds of reality, one which has an individual character, and one which has a universal appearance... It is, however, wrong to think that the non-figurative artist finds impressions and emotions received from the outside useless, and regards it even as necessary to fight against them... It is equally wrong to think that the non-figurative artist creates through 'the pure intention of his mechanical process', that he makes 'calculated abstractions' and that he wish to 'suppress sentiment not only in himself but in the spectator'... It is thus clear that he has not become a mechanic, but that the progress of science, of technique, of machinery, of life as a whole, has only made him into a living machine, capable of realizing in a pure manner the essence of art.”
Quote in: 'Plastic Art and Pure Plastic Art', Piet Mondrian (1937); in 'Documents of modern Art' ed. Robert Motherwell for Wittenborn, Schulz, New York 1945
1930's
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Piet Mondrian 95
Peintre Néerlandais 1872–1944Related quotes
Quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 258 (translation Daphne Woodward)
1960s
Samuel Marchbanks' Almanack (1967)
Context: Was driving through the countryside today with some people who insisted upon frequent recourse to a roadmap in order to discover, as they put it, "Just where they were." Reflected that for my part I generally have a pretty shrewd idea of just where I am; I am enclosed in the somewhat vulnerable fortress which is my body, and from that uneasy stronghold I make such sorties as I deem advisable into the realm about me. These people seemed to think that whizzing through space in a car really altered the universe for them, but they were wrong; each one remained right in the centre of his private universe, which is the only field of knowledge of which he has any direct experience.
1963, Speech at Amherst College
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1930s and later
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
On Poesy or Art (1818)
Source: A New Critique of Theoretical Thought, Volume I: The Necessary Presuppositions of Philosophy (trans. William S. Young and David H. Freeman), p. 4 ( full context http://www.dbnl.org/tekst/dooy002newc05_01/dooy002newc05_01_0004.php#4)
Source: The Romantic Rebellion (1973), Ch. 12: Millet
Source: 1930s, Modern Theory of Development, 1933, 1962, p. 29