“I don't want to make plop art — sculpture that just gets plopped down in places. I wouldn't want to litter every corner of the world with my sculpture.”

— Rachel Whiteread

As quoted in "Boxing clever" by Lynn Barber inThe Guardian (16 October 2005) http://observer.guardian.co.uk/review/story/0,6903,1593050,00.html

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Rachel Whiteread 5

British sculptor 1963

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“Death!
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The barges down in the river flop.
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From the slimy branches the grey drips drop…
To the oozy waters, that lounge and flop…
And my head shrieks--"Stop"
And my heart shrieks--"Die"…”

Theo Marzials (1850–1920) Anglo-French poet and eccentric

A Tragedy, reported by several critics to be the worst poem published in the English language. http://www.reedleycollege.edu/academic/Departments/CompLitComm/sbowie/Tragedy.htm.

“Whenever he felt like giving up, plopping himself down, and dying (which was, like, every ten minutes), he reached over and took her hand, just to remember there was warmth in the world.”

Rick Riordan book The House of Hades

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“My photographs are facts which bring the right accessibility to remote, lonely or otherwise unrecognizable works. Some sculptures are seen by few people, but can be known about by many. My outdoor sculptures and walking locations are not subject to possession and ownership. I like the fact that roads and mountains are common, public land. My outdoor sculptures are places. The material and the idea are of the place; sculpture and place are one and the same. The place is as far as the eye can see from the sculpture. The place for the sculpture is found by walking.”

Richard Long (1945) artist

Richard Long & Kenneth Martin (1980) in: D. Ashton (1985), Twentieth-Century Artists on Art, p. 151
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“I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

Sylvia Plath book The Bell Jar

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“I like the notion of working the program, like an artist works a lump of clay. An artist wants to make a sculpture, but before she makes the sculpture, she just massages the clay. She starts towards making the sculpture, and sees what the clay wants to do. And the more she handles the clay, the more the clay tends to do what she wants. It becomes compliant to her will.
A development team works on a piece of code over several months. Initially, they make a piece of code, and it's a little stiff. It's small, but it's still stiff. Then they move the code, and it gets a little easier to move.”

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“Personally, I don't believe in having expectations, but I can say that, regarding my exterior sculptures, I will only exhibit sculptures in the future that will enrich their surroundings.”

Isa Genzken (1948) German sculptor

after 2010, Isa Genzken, the artist who doesn't do interviews' (2014)

“I have always said that, with any sculpture, you have to be able to say, 'although this is not a ready-made, it could be one'. That's what a sculpture has to look like. It must have a certain relation to reality. I mean, not airy-fairy, let alone fabricated, so aloof and polite… And I don't see this aspect in many artists' work. Often, my feeling is that they think something up that is supposed to be art. That's not what I want at all. Rather, a sculpture is really a photo – although it can be shifted, it must still always have an aspect that reality has too.”

Isa Genzken (1948) German sculptor

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“If Thucydides were plopped down in the Middle East or East Asia, he would probably recognize … the situation quite quickly.”

Joseph Nye (1937) American political scientist

Source: Understanding International Conflicts: An Introduction to Theory and History (6th ed., 2006), Chapter 9, A New World Order?, p. 281.

“I want my children to understand the world, but not just because the world is fascinating and the human mind is curious. I want them to understand it so that they will be positioned to make it a better place.”

Howard Gardner (1943) American developmental psychologist

Howard Gardner (1983), "Multiple approaches to understanding," in: Charles M. Reigeluth (ed.) Instructional-design Theories and Models: A new paradigm of ..., Volume 2. p. 69-90

“I don't want to make plop art — sculpture that just gets plopped down in places. I wouldn't want to litter every corner of the world with my sculpture.”

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