“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles... Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title.”
translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's
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Jacoba van Heemskerck 18
Dutch painter 1876–1923Related quotes
On his refusal of a knighthood.
"Paul Scofield: Man for all seasons" http://news.bbc.co.uk/2/hi/entertainment/1092962.stm, BBC News (2000-12-30)
Quote on the birth of a title of her art-work 'Jacob's Ladder'; from: MoMA Highlights, New York, The Museum of Modern Art, revised 2004, originally published in 1999, p. 219 http://www.moma.org/collection/object.php?object_id=78722
1990s - 2000s
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Amice, Wees zoo goed, indien het niet te laat is, de titel 'l'Aprês-Midi' ['Namiddag' titel van een ingezonden werk voor een expositie] uit te schrabben en eenvoudig maar Paysage te zetten om den eenvoudige reden.. ..daar ik het moment genomen heb [in het werkje] dat de zon begint te kleuren en (sic) doordien er damp is - door velen voor een morgen aangezien zal worden. Mauve zal een anderen aquarelle zenden..
Quote of Gabriël, in his letter to Henry Hymans (Secr. de Societé des Aquarellistes Bruxelles, from Schaerbeek 14 April, 1867; taken from an excerpt in the Collection RKD: Letters, Manuscripts and small Archives https://rkd.nl/explore/excerpts/158, The Hague
1860's + 1870's
On avoiding titling an unfinished work in “Interview with Terrance Hayes” http://katonahpoetry.com/interviews/interview-terrance-hayes/ in the Katonah Poetry Series (2017 Sep 21)
Quote from De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's
As quoted in "Change of Pace"
Baseball-related, <big><big>1960s</big></big>, <big>1963</big>
“Geometry, to which I have devoted my life, is honoured with the title of the Key of Sciences”
Ben Yamen's Song of Geometry (1853)
Context: Geometry, to which I have devoted my life, is honoured with the title of the Key of Sciences; but it is the Key of an ever open door which refuses to be shut, and through which the whole world is crowding, to make free, in unrestrained license, with the precious treasures within, thoughtless both of lock and key, of the door itself, and even of Science, to which it owes such boundless possessions, the New World included. The door is wide open and all may enter, but all do not enter with equal thoughtlessness. There are a few who wonder, as they approach, at the exhaustless wealth, as the sacred shepherd wondered at the burning bush of Horeb, which was ever burning and never consumed. Casting their shoes from off their feet and the world's iron-shod doubts from their understanding, these children of the faithful take their first step upon the holy ground with reverential awe, and advance almost with timidity, fearful, as the signs of Deity break upon them, lest they be brought face to face with the Almighty.
