“I'd like you [Theo] to spend some time here, you'd feel it — after some time your vision changes, you see with a more Japanese eye, you feel colour differently. I'm also convinced that it's precisely through a long stay here that I'll bring out my personality. The Japanese [like a. o. Hokusai, admired by Vincent] draws quickly, very quickly, like a flash of lightning, because his nerves are finer, his feeling simpler. I've been here [Arles] only a few months but — tell me, in Paris would I have drawn in an hour the drawing of the boats?... Now this [sketch] was done without measuring, letting the pen go. So I tell myself that gradually the expenses will be balanced by work.”

— Vincent Van Gogh

In a letter to brother Theo, from Arles, c. 5 June 1888, in 'Van Gogh's Letters', letter 620 http://vangoghletters.org/vg/letters/let620/letter.html, Van Goghmuseum
The Japanese artists with their colored woodblock-prints meant a great inspirations for several Paris' artists - they were extremely important for Vincent, these years
1880s, 1888

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Vincent Van Gogh 238

Dutch post-Impressionist painter (1853-1890) 1853–1890

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“This art that we are all working in, we feel it has a long future before it, and one must have some settled base, like steady people, and not like decadents. Here my life will become more and more like a Japanese painter's, living close to nature like a petty tradesman.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Autumn 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 540), pp. 22-23
1880s, 1888

“Here, I'll practice on you. Mom. I have something to tell you. I'm undead. Now, I know you may have some preconceived notions about the undead. I know you may not be comfortable with the idea of me being undead. But I'm here to tell you that the undead are just like you and me. Well, okay. Possibly more like me than you.”

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Simon to Clary, pg. 218
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“You can go on like this for a very long time, and no one will notice. You keep thinking you're going to hit some sort of bottom, but I'm here to tell you: There is no bottom.”

Dan Chaon (1964) American writer

Source: Among the Missing

“I've never made a flight in an airplane, and I don't know that I'm particularly anxious to. I would, though, like to take a trip in a dirigible. Bring one out here some time, won't you, Doctor Eckener, and give me a ride?”

Henry Ford (1863–1947) American industrialist

Raymond J. Brown. " Henry Ford Says, 'There Is Always Room for More' https://books.google.nl/books?id=rCkDAAAAMBAJ&pg=PA37," in: Popular Science, Vol. 106, nr. 2 (Feb 1925), p. 37

“I haven't had an orthodox career, and I've wanted more than anything to have your respect. The first time I didn't feel it, but this time I feel it, and I can't deny the fact that you like me, right now, you like me!”

Sally Field (1946) American actress

Said during Field's Oscar acceptance speech for Best Actress in 1984's Places in the Heart
Often misquoted as "You like me, you really like me!"
The misquote was echoed by Sean Penn in his 1996 acceptance of the Independent Spirit Award for Best Male Lead in Dead Man Walking as, "You tolerate me. You really tolerate me!"
[Waxman, Sharon, The Oscar Acceptance Speech: By and Large, It's a Lost Art, Washington Post, 1999-03-21, http://www.washingtonpost.com/wp-srv/style/movies/oscars/speeches.htm, 2006-12-31]

“My dear Theo, Feeling, even a fine feeling, for the beauties of nature isn't the same as religious feeling, although I believe that the two are closely connected. The same is true of a feeling for art. Don't give in to that too much either. Hold fast especially to your love for the firm [of the Paris' art dealers Goupil & C0, where both brothers worked - Vincent started in 1869 and Theo in 1873] and for your work.... Nearly everyone has a feeling for nature, some more than others, but there are few who feel that God is a spirit, and that they must worship Him in spirit and in truth. Pa is one of the few, Ma too, and also Uncle Vincent, I believe.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote from his Letter #049 to Theo on 'religious feeling' (Paris, 17 Sept. 1875) http://vangoghletters.org/vg/letters/let049/letter.html
1870s

“Who am I then? Tell me that first, and then, if I like being that person, I'll come up; if not, I'll stay down here till I'm someone else.”

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Source: Alice's Adventures in Wonderland & Through the Looking-Glass

“On a live performance: "If you feel like tapping your feet, tap your feet. If you feel like clapping your hands, clap your hands. And if you feel like taking off your shoes, take off your shoes. We are here to have a ball. So we want you to leave your worldly troubles outside and come in here and swing."”

Art Blakey (1919–1990) American jazz drummer and bandleader

Source At the Jazz Corner of the World, Blue Note, 1959.

“I see you around sometimes and my heart just melts.
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Someday I'll get the nerve to walk up to you and say
This is the last worthless evening that you'll have to spend.
Just gimme a chance to show you how to love again.”

Don Henley (1947) American singer, lyricist, producer and drummer

"The Last Worthless Evening" (co-written with John Corey and Stan Lynch)
Song lyrics, The End of the Innocence (1989)

“You know, I'm not sitting here like some little woman standing by my man, like Tammy Wynette. I'm sitting here because I love him, and I respect him, and I honor what he's been through and what we've been through together. And you know, if that's not enough for people, then heck, don't vote for him.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

60 minutes interview. http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2008/03/12/MN37VI8QI.DTL&type=printable
Husband's Presidential campaign (1992 – January 19, 1993)

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Vincent Van Gogh 238

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