Japan, the Beautiful and Myself (1969)
Context: Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.
“He thought a photograph was nothing; that he should blend into the surroundings and become invisible, the better to work and capture –as he said natural light. One shouldn’t even hear the click of Rolleiflex. He would have liked to conceal his camera. The death of his friend Robert Capa could in fact be explained, as he saw it, by this desire, the giddiness of blending into the surrounding once and for all.”
Suspended Sentences (1993)
Help us to complete the source, original and additional information
Patrick Modiano 42
French writer 1945Related quotes
Pegasus, St. 3 & 4, p. 181
The New Book of Days (1961)
Context: He could not be captured,
He could not be bought,
His running was rhythm,
His standing was thought;
With one eye on sorrow
And one eye on mirth,
He galloped in heaven
And gambolled on earth. And only the poet
With wings to his brain
Can mount him and ride him
Without any rein,
The stallion of heaven,
The steed of the skies,
The horse of the singer
Who sings as he flies.
Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 1 “Nueva Barcelona” (p. 19).
Journal of Discourses 17:279 (September 20, 1874).
Joseph Smith Jr.'s First Vision
Source: Russia Under The Bolshevik Regime (1994), p. 252
God doesn't believe in atheists (2002)
Sylphs
Poems (1851), Prometheus
Context: The glad sons of the deliver'd earth
Shall yearly raise their multitudinous voice,
Hymning great Jove, the God of Liberty!
Then he grew proud, yet gentle in his pride,
And full of tears, which well became his youth,
As showers do spring. For he was quickly moved,
And joy'd to hear sad stories that we told
Of what we saw on earth, of death and woe,
And all the waste of time. Then would he swear
That he would conquer time; that in his reign
It never should be winter; he would have
No pain, no growing old, no death at all.
And that the pretty damsels, whom we said
He must not love, for they would die and leave him,
Should evermore be young and beautiful;
Or, if they must go, they should come again,
Like as the flowers did. Thus he used to prate,
Till we almost believed him.
Source: The Children of Eve' series of novels (historical fiction), The City of Palaces (2014), p.323
Alcun non può saper da chi sia amato,
Quando felice in su la ruota siede:
Però c'ha i veri e i finti amici a lato,
Che mostran tutti una medesma fede.
Se poi si cangia in tristo il lieto stato,
Volta la turba adulatrice il piede;
E quel che di cor ama riman forte,
Ed ama il suo signor dopo la morte.
Canto XIX, stanza 1 (tr. B. Reynolds)
Orlando Furioso (1532)