„I am a material to be used that will not cost you any money. I am afraid to collect money from you because if I collect it, it will affect the gift and grace of God in my life.“

On collecting money - "I Told Jonathan He Would Lose - TB Joshua" http://www.premiumtimesng.com/news/top-news/180634-i-told-jonathan-he-would-lose-tb-joshua.html Premium Times, Nigeria (April 5 2015)

Adopted from Wikiquote. Last update June 9, 2021. History
T. B. Joshua photo
T. B. Joshua68
Nigerian Christian leader 1963

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„I am a collection of dismantled almosts.“

—  Anne Sexton poet from the United States 1928 - 1974

Source: Anne Sexton: A Self-Portrait in Letters

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„All in the world I have is yours; Next to God, you are the one I love best, and if I did not know that your love for me is the same, I could not be so happy as I am: May God give us both the grace to live always in this affection without any guile.“

—  William the Silent stadtholder of Holland, Zeeland and Utrecht, leader of the Dutch Revolt 1533 - 1584

To his first wife while she was dying (1558), as quoted William the Silent (1897) by Frederic Harrison, p. 28

Bernard Landry photo

„""I am a man of causes, of collectivity, not an individualist.“

—  Bernard Landry Canadian politician 1937 - 2018

In Micheline Carrier, ""Démission de Bernard Landry - Je me souviens..."", Les Carnets de Sisyphe 8, June 4, 2005 http://sisyphe.org/article.php3?id_article=1826
this seems to be a marriage of multiple comments made by Landry in his resignation speech; compare the following quotation.

Neil deGrasse Tyson photo

„In this moment, I am euphoric. Not because of any phony god’s blessing. But because, I am enlightened by my intelligence“

—  Neil deGrasse Tyson American astrophysicist and science communicator 1958

This was a quote by Aalewis http://knowyourmeme.com/memes/in-this-moment-i-am-euphoric
Misattributions

Ingmar Bergman photo

„Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.“

—  Ingmar Bergman Swedish filmmaker 1918 - 2007

Four Screenplays of Ingmar Bergman (1960).
Context: People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, labourers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation.
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other.
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral.

Clarence Darrow photo
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„I am sorry to tell you that I am getting very extravagant, and spending all my money, and, what is worse for you, I have been spending yours too.“

—  Jane Austen English novelist 1775 - 1817

Letter to Cassandra (1811-04-18) [Letters of Jane Austen -- Brabourne Edition]
Letters

Rāmabhadrācārya photo

„Humanity is my temple, and I am its worshiper. The disabled are my supreme God, and I am their grace seeker.“

—  Rāmabhadrācārya Hindu religious leader 1950

Mānavatā hī merā mandira maiṃ hūँ isakā eka pujārī ॥
haiṃ vikalāṃga maheśvara mere maiṃ hūँ inakā kṛpābhikhārī ॥
[Rambhadracharya, Jagadguru (Speaker), 2003, जगद्गुरु रामभद्राचार्य विकलांग विश्वविद्यालय, Hindi, Jagadguru Rambhadracharya Handicapped University, CD, Chitrakoot, Uttar Pradesh, India, Jagadguru Rambhadracharya Handicapped University, 00:02:16, मानवता ही मेरा मन्दिर मैं हूँ इसका एक पुजारी ॥ हैं विकलांग महेश्वर मेरे मैं हूँ इनका कृपाभिखारी ॥]
Original: (sa) Mānavatā hī merā mandira maiṃ hūँ isakā eka pujārī ॥<br/>haiṃ vikalāṃga maheśvara mere maiṃ hūँ inakā kṛpābhikhārī ॥

Eugene O'Neill photo
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Stephen Vincent Benét photo
Stephen Vincent Benét photo

„It is costing much money here, a thing I regret. But you will get your money's worth. My legs curse you. But my heart says 'Thank you.“

—  Maynard Owen Williams American journalist 1888 - 1963

from a letter to John Oliver la Gorce, the Geographic's assistant editor (1923)

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