Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 31
1920's, My life (1922)
“Only the great distance that separates Paris from my native town prevented me from going back… It was the Louvre that put end to all these hesitations. When I walked around the circular Veronese room and the rooms that the works of Manet, Delacroix and Courbet are in, I desired nothing more. In my imagination Russia [where Chagall was born] took the form of a basket suspended from a parachute. The deflated pear of the balloon was hanging down, growing cold and descending slowly in the course of the years. This was how Russian art appeared to me, or something of the sort… It was as if Russian art had been fatally condemned to remain in the wake of the West.”
a later quote on his first arrival in Paris, 1910
Quote in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 261, (translation Daphne Woodward)
1920's, My life (1922)
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Marc Chagall 35
French artist and painter 1887–1985Related quotes
Quote from a letter to Sergei K. Markovsky, 1915; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 149
1910's
Sweet Surrender
Song lyrics, Surfacing (1997)
“I took to my room and let small things evolve slowly.”
The man in a velvet suit Lucy Daniel Telegraph Review January 25 2014.
General quotes
Recalling his meeting with workers in a field, upon his landing, as quoted in "Life on Mars?" by Jesse Skinner in Toro magazine (14 October 2008) http://www.toromagazine.com/epigraph/d8e350a4-e3e5-2b94-5916-3c4e788b808c/Life-on-Mars/index.html
The Other World (1657)
On one of the inspirations behind his play Living Sculpture in “SIN MUROS: INTERVIEW WITH “LIVING SCULPTURE” PLAYWRIGHT MANDO ALVARADO” https://thetheatretimes.com/sin-muros-interview-living-sculpture-playwright-mando-alvarado/ in The Theatre Times