On her identity struggles in “Amulya Malladi: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/amulya-malladi/ in The Writer (2018 May 22)
“Mindplayers didn't really address a lot about the criminal element of this particular world. Everybody in the Mindplayers world couldn't possibly live like the few people that you saw. A lot of times, a culture almost seems to float on top of its own black market, and things from that filter up through the culture. I get the feeling that this law-abiding peaceful thing that I live in now is almost never-never land - to a certain extent it's not even really real. I spent a decade working for Hallmark cards, which is supposed to epitomise sweetness and light and good living and ethics and morals. But Hallmark, like many American manufacturers, has a lot of things like toys and ornaments manufactured in the Far East, by people in sweat-shops. These are children, old people, poor people, people who don't have enough to eat; we get these things so cheaply because we simply use these people and throw them away. This is what I mean about our culture, our never-never land, floating on top of our underworld.”
Cadigan (1993) in: " Interview with Pat Cadigan, May 1993 http://tamaranth.blogspot.nl/1993/05/interview-pat-cadigan-may-1993.html" in The Hardcore, 1993
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science fiction author 1953Related quotes

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Context: Oh, I don't know — that's a hell of a question — I don't tend to look at my stuff that way. I just look at it a book at a time. Something like the Amber books are in a different class. I try not to anticipate. I don't know what I'll be writing a few years from now. I have some ideas — I have lots of different things I want to try. I almost don't really care what history thinks. I like the way I'm being treated right now.
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