“The purpose of my writing is to expose and arrest Nova Criminals. In 'Naked Lunch', 'Soft Machine' and 'Nova Express' I show who they are and what they are doing and what they will do if they are not arrested. Minutes to go. Souls rotten from their orgasm drugs, flesh shuddering from their nova ovens, prisoners of the earth to 'come out'. With your help we can occupy The Reality Studio and retake their universe of Fear Death and Monopoly”

— William S. Burroughs , book Nova Express

Source: Nova Express (1968), Chapter One, Prisoners, Come Out

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William S. Burroughs 110

American novelist, short story writer, essayist, painter, a… 1914–1997

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From "Clare Fischer on Bossa Nova" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#3f6344g3cshffpj in Downbeat (November 8, 1962), p. 23

“The 1963 Corvair, which has some remarkable characteristics. It's one of the few cars I know that can do the bossa nova on dry pavement and the watusi on wet.”

Ralph Nader (1934) American consumer rights activist and corporate critic

Ralph Nader, An Unreasonable Man (2006) Documentary film

“Drugs: “There’s no way to keep them from getting in. Anyone who wants drugs can get them. We make arrests where we can, and so what? Me, I’m betting on Darwin.”
“How do you mean?”
“The next generation won’t use drugs because they’ll be descended from people who had better sense.””

Larry Niven book Flash Crowd

Flash Crowd, section 9, in Three Trips in Time and Space (1973), edited by Robert Silverberg, p. 77

“no reality is mine, no reality belongs to me (to us), we all live somewhere else, beyond where we are, we are all a reality different from the word I or the word we;
our most intimate reality lies outside ourselves and is not ours, and it is not one but many, plural and transitory, we are this plurality that is continually dissolving, the self is perhaps real, but the self is not I or you or he, the self is neither mine nor yours,
it is a state, a blink of the eye, it is the perception of a sensation that is vanishing, but who or what perceives, who senses?
are the eyes that look at what I write the same eyes that I say are looking at what I write?
we come and go between the word that dies away as it is uttered and the sensation that vanishes in perception—although we do not know who it is that utters the word nor who it is that perceives, although we do know that the self that perceives something that is vanishing also vanishes in this perception: it is only the perception of that self s own extinction,
we come and go: the reality beyond names is not habitable and the reality of names is a perpetual falling to pieces, there is nothing solid in the universe, in the entire dictionary there is not a single word on which to rest our heads, everything is a continual coming and going from things to names to things,
no, I say that I perpetually come and go but I haven’t moved, as the tree has not moved since I began to write,
inexact expressions once again: I began, I write, who is writing what I am reading?, the question is reversible: what am I reading when I write: who is writing what I am reading?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

“I know not what fear is, nor I know not what it is that I fear now; I fear not the hastening of my death, and yet I do fear the increase of the disease… my weakness is from nature, who hath but her measure, my strength is from God, who possesses and distributes infinitely.”

John Donne (1572–1631) English poet

VI. Metuit. The physician is afraid
Devotions Upon Emergent Occasions (1624)

“A sort of anteneurosis of what I will be when I will not longer be freezes my body and soul. A kind of remembrance of my future death makes me shudder from the inside.”

Fernando Pessoa book The Book of Disquiet

Ibid., p. 91
The Book of Disquiet
Original: Uma espécie de anteneurose do que serei quando já não for gela-me o corpo e alma. Uma como que lembrança da minha morte futura arrepia-me dentro.

“I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing -- writing from the point of orgasm and losing control of the language and seeing what that's like.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

“I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.”

Bono (1960) Irish rock musician, singer of U2

On reactions to his spray painting the fountain at the free concert he gave in San Francisco, in a Press conference (November 1987) http://www.u2source.com/2007/08/19/bono-press-conference-regarding-graffiti/
Context: It is fair to say that we overreacted a bit. … Its not really worth defending my action, I did it in the spirit of the concert, and I thought I did it in the spirit of the artist's work, and he agreed — but, in fact he didn't own his work anymore, as most artists are prone to, he'd sold it, and the City of San Francisco owned it, and they didn't like what I did at all. … Its a really wild thing, you know, you're in Rock n Roll band — you know, I happen to sell millions of records — people therefore think that makes you a responsible citizen — this is not true. … I think this is one of the more mild actions of tour-madness. … It's the music that is magical with U2. … I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.

“I think all my movies are commercial. That's my delusion. I thought 'Naked Lunch' was wildly entertaining, so what do I know?”

David Cronenberg (1943) Canadian film director, screenwriter and actor

David Cronenberg's Body Language http://www.nytimes.com/2005/09/18/magazine/18cronenberg.html?pagewanted=all (September 18, 2005)

“Criminals are the product of arrested development.”

Ron English (1959) American artist

Ron English's Fauxlosophy (2016)

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William S. Burroughs 110

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