“I didn't become a French painter or a European one. I remained an Indian painter through the years. That was always in my heart and I am very glad that I was able to come back here again.”

— S. H. Raza

This is a sum of all my experiences: SH Raza

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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S. H. Raza 20

Indian artist 1922–2016

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“Then - being in two minds - in my father's courtyard, I counted the buttons of my coat: soldier or painter, soldier, painter, soldier, painter.... the last button told me: painter. So it was decided by chance that I would become a painter”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

c. 1831
version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Toen telde ik, op de binnenplaats mijns vaders in tweestrijd, de knoopen van mijn jas: soldaat of schilder, soldaat, schilder, soldaat, schilder.. ..de laatste knoop zei schilder, en zoo besliste het toeval, dat ik schilder zou worden [c. 1831].
J.W. Bilders was fighting as a Dutch volunteer in the Belgium Independents War against The Netherlands. 1830
Source: 1880's, Johannes Warnardus Bilders' (1887/1900), p. 78

“Without my husband I would never have become a painter, and without me he had probably not become a painter.”

Sina Mesdag-van Houten (1834–1909) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Sientje Mesdag van Houten, in het Nederlands:) Zonder mijn man was ik nooit schilderes geworden, en zonder mij was hij waarschijnlijk geen schilder geworden.

Quote in the magazine 'Wereldkroniek', 21 April 1906; as cited on website Panorama Mesdag http://www.panorama-mesdag.nl/ontdek/mesdag/?gclid=EAIaIQobChMI5cO-hZzH3QIVDYmyCh0duwn1EAAYAiAAEgKqIPD_BwE

“.. Mother, the dawn has broken in me and I can feel the day approaching. I'm going to become somebody. If only I had been able to show Father that my life has not been fishing in troubled waters, pointless; if only I had been able to repay him for the part of himself that he planted in me! I feel that the time is soon coming when I no longer have to be ashamed and remain silent, but when I feel with pride that I am a painter..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her mother, from Worpswede, 6 July 1902; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 202
1900 - 1905

“I come here with no expectations, only to profess, now that I am at liberty to do so, that my heart is and always will be… yours.”

Jane Austen book Sense and Sensibility

Source: Sense and Sensibility

“I perhaps owe having become a painter to flowers.”

Claude Monet (1840–1926) French impressionist painter

“I shall do other things, but I will always be the painter of beaches.”

Eugène Boudin (1824–1898) French painter

Quote from Boudin's letter to his brother, 1865; as cited in Boudin, Lady in white on the beach of Trouville http://www.muma-lehavre.fr/en/collections/artworks-in-context/eugene-boudin/boudin-lady-white-beach-trouville
the genre of beach-painting became then an immediate success with art enthusiasts
1850s - 1870s

“I am surrounded by a small group of young landscapists who will be very happy get to know you. Besides, they are real painters… I find myself very well fixed here. I am drawing figures at hard. And at the Academy, there are only landscapists. They begin to perceive that it's a good thing.”

Claude Monet (1840–1926) French impressionist painter

Quote of Monet, 1859 in a letter to his mentor Eugène Boudin; as cited in: John Rewald (1961) The History of Impressionism - Volume 1. p. 48
1850 - 1870

“I am settled in France, and as for the rest of my history as a painter, it is bound up with the impressionistic group.”

Camille Pissarro (1830–1903) French painter

his remark, circa 1856; as quoted in Brush and Pencil, Vol. XIII, no. 6 , article: 'Camille Pissarro' Impressionist'; by Henry G Stephens, March, 1904, p. 412-13
quote of Pissarro, after his stay of three year without success in Venezuela, and returning back to Paris
1850's + 1860's

“To achieve the structure it takes a damn long time, so my paintings are always in work for a very long time—sometimes a year. Not that I work on them every day. I will have them, and then come back to them after a year, and also return intermittently. It’s not easily done. I am not able to do “one, two, a painting.” I try to do it very quickly, but it doesn’t work with me. I simply can’t do it. Very often people look and say, 'Ah, fantastic! That’s a beautiful painting.'”

Per Kirkeby (1938–2018) Danish artist

But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
1995 and later

“.. I am so often showing my work in Germany that I belong to the German moderns... I openly want to confess you that I don't value the new painting in my home country very much. That is why I don't have a lot of acquaintances among the painters. Everything here is so little progressive. People's life is to easy here. It is very difficult to keep wide-awake since all are sleeping here. I feel much more at home in Germany.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: ..ik ben zo vaak met mijn werk in Duitsland dat ik helemaal tot de Duitse modernen behoor.. .Ik wil u openlijk bekennen dat ik de nieuwe schilderkunst in mijn vaderland niet erg hoog aansla. Daarom heb ik ook niet erg veel kennissen onder de schilders. Alles is hier zo weinig vooruitstrevend. De mensen herbben het veel te goed. Het is erg moeilijk wakker te blijven aangezien allen hier slapen. In Duitsland voel ik me veel meer thuis.
Quote of Jacoba van Heemskerck, in a letter of June 1921 to prof de:Hans Hildebrandt, Stuttgart Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5Waanders, Zwolle, 2005, p. 179
1920's

“I didn't become a French painter or a European one. I remained an Indian painter through the years. That was always in my heart and I am very glad that I was able to come back here again.”

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S. H. Raza 20

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