“If A is A, a philosopher should equal a philosopher. But that's not the way the cosmos works. Similar things set themselves apart from one another. …What's more, opposites are joined at the hip. Einstein says that most creative acts come from opposition. They come from pitting yourself against someone with another point of view. They come from the law of differentiation. And that was true of Aristotle and his law of identity, his law of noncontradiction, his construction for the base for A is A. Aristotle came up with his idea… to fling a finger in the face of another philosopher [Heraclitus]…”

— Howard Bloom

When a Frog is a River? Aristotle Wrestles Heraclitus
The God Problem: How a Godless Cosmos Creates (2012)

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Howard Bloom 39

American publicist and author 1943

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“No President should fear public scrutiny of his program. For from that scrutiny comes understanding; and from that understanding comes support or opposition. And both are necessary.”

John F. Kennedy (1917–1963) 35th president of the United States of America

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Context: No President should fear public scrutiny of his program. For from that scrutiny comes understanding; and from that understanding comes support or opposition. And both are necessary. I am not asking your newspapers to support the Administration, but I am asking your help in the tremendous task of informing and alerting the American people. For I have complete confidence in the response and dedication of our citizens whenever they are fully informed.
I not only could not stifle controversy among your readers — I welcome it. This Administration intends to be candid about its errors; for as a wise man once said: "An error does not become a mistake until you refuse to correct it." We intend to accept full responsibility for our errors; and we expect you to point them out when we miss them.

“In his attempt to unite the Good and the True by making the Good the highest Idea of all, Plato is nevertheless usurping aretês place with dialectically determined truth. Once the Good has been contained as a dialectical idea it is no trouble for another philosopher to come along and show by dialectical methods that aretê, the Good, can be more advantageously demoted to a lower position within a "true" order of things, more compatible with the inner workings of dialectic. Such a philosopher was not long in coming. His name was Aristotle.”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 29

“Philosophy and religion are enemies, and because they are enemies they have need of one another. There is no religion without some philosophical basis, no philosophy without roots in religion. … the attacks which are directed against religion from a presumed scientific or philosophical point of view are merely attacks from another but opposing religious point of view.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), VI : In the Depths of the Abyss

“The artist's feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person's feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry. Whatever people may say of Y's paintings and how they often resemble Z's, yet they proceed from Y and are his sole property.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated

“Where did the second law of thermodynamics come from? …The steam engine. …The cosmos is not a steam engine.”

Howard Bloom (1943) American publicist and author

Heresy Number Three
The God Problem: How a Godless Cosmos Creates (2012)

“The other philosophy of government is based on creation, which says laws come from the Creator, rights are unalienable, and government should be limited. That's called a republic.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Garden of Eden

“[ Gustav Fechner ] was troubled by materialism… His philosophical solution of the spiritual problem lat in his affirmation of the identity of the mind and matter and in his assurance that the entire universe can be regarded as readily from the point of view of its consciousness… as it can be viewed as inert matter.”

Edwin Boring (1886–1968) American psychologist

Source: A History of Experimental Psychology, 1929, p. 269; Cited in: Robert R. Holt, ‎Sigmund Freud (1989) Freud Reappraised: A Fresh Look at Psychoanalytic Theory, p. 148.

“Farabi followed Plato not merely as regards the manner in which he presented the philosophic teaching in his most important books. He held the view that Plato’s philosophy was the true philosophy. To reconcile his Platonism with his adherence to Aristotle, he could take three more or less different ways. First, he could try to show that the explicit teachings of both philosophers can be reconciled with each other. He devoted to this attempt his Concordance of the opinions of Plato and Aristotle. The argument of that work is partly based on the so-called Theology of Aristotle: by accepting this piece of neo-platonic origin as a genuine work of Aristotle, he could easily succeed in proving the substantial agreement of the explicit teachings of both philosophers concerning the crucial subjects. It is however very doubtful whether Farabi considered his Concordance as more than an exoteric treatise, and thus whether it would be wise of us to attach great importance to its explicit argument. Secondly, he could show that the esoteric teachings of both philosophers are identical. Thirdly, he could show that “the aim” of both philosophers is identical.”

Al-Farabi (872–951) Philosopher in 10th century Central Asia

Leo Strauss, Farabi's Plato http://contemporarythinkers.org/leo-strauss/essay/farabis-plato/, Louis Ginzberg Jubilee Volume, American Academy for Jewish Research, 1945. Reprinted, revised and abbreviated, in Persecution and the Art of Writing.

“If there is an invisible church, then it is of the great paradox, which is inseparable from morality, and which must be distinguished from the merely philosophical. People who are so eccentric that they are completely serious in being and becoming virtuous understand one another in everything, find one another easily, and form a silent opposition against the prevailing immorality that pretends to be morality.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Athenäumsfragmente 414
Variant translations:
People who are eccentric enough to be quite seriously virtuous understand each other everywhere, discover each other easily, and form a silent opposition to the ruling immorality that happens to pass for morality.
Philosophical Fragments, P. Firchow, trans. (1991) § 414
Athenäum (1798 - 1800)
Context: If there is an invisible church, then it is of the great paradox, which is inseparable from morality, and which must be distinguished from the merely philosophical. People who are so eccentric that they are completely serious in being and becoming virtuous understand one another in everything, find one another easily, and form a silent opposition against the prevailing immorality that pretends to be morality. A certain mysticism of expression, which joined with romantic fantasy and grammatical understanding, can be something charming and good, often serves as a symbol of their beautiful secrets.

“Most creativity is a transition from one context into another where things are more surprising.”

Alan Kay (1940) computer scientist

ACM Queue A Conversation with Alan Kay Vol. 2, No. 9 - Dec/Jan 2004-2005 http://queue.acm.org/detail.cfm?id=1039523
2000s, A Conversation with Alan Kay, 2004–05
Context: Most creativity is a transition from one context into another where things are more surprising. There’s an element of surprise, and especially in science, there is often laughter that goes along with the “Aha.” Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in — the one that we think is reality.

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Howard Bloom 39

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