“But Don Quixote was converted. Yes — and died, poor soul. But the other, the real Don Quixote, he who remained on earth and lives among us with his spirit — this Don Quixote was not converted, this Don Quixote continues to incite us to make ourselves ridiculous, this Don Quixote must never die.”

—  Miguel de Unamuno

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

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Miguel de Unamuno 199
19th-20th century Spanish writer and philosopher 1864–1936

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Miguel de Unamuno photo

“But our Don Quixote, the inward, the immortal Don Quixote, conscious of his own comicness, does not believe that his doctrines will triumph in this world, because they are not of it. And it is better that they should not triumph. And if the world wished to make Don Quixote king, he would retire alone to the mountain, fleeing from the king-making crowds, as Christ retired alone to the mountain when, after the miracle of the loaves and fishes, they sought to proclaim him king. He left the title of king for the inscription written over the cross.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Miguel de Unamuno photo

“Don Quixote made himself ridiculous; but did he know the most tragic ridicule of all, the inward ridicule, the ridiculousness of a man's self to himself, in the eyes of his own soul?”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Context: Don Quixote made himself ridiculous; but did he know the most tragic ridicule of all, the inward ridicule, the ridiculousness of a man's self to himself, in the eyes of his own soul? Imagine Don Quixote's battlefield to be his own soul; imagine him to be fighting in his soul to save the Middle Ages from the Renaissance, to preserve the treasure of his infancy; imagine him an inward Don Quixote, with a Sancho at his side, inward and heroic too — and tell me if you find anything comic in the tragedy.

Lope De Vega photo

“And what shall I say of the poets? Oh, this poor century of ours! In the coming year many of them will make their start, but not one of them is as bad as Cervantes, or idiotic enough to praise Don Quixote.”

Lope De Vega (1562–1635) Spanish playwright and poet

De poetas no digo: buen siglo es éste. Muchos están en ciernes para el año que viene; pero ninguno hay tan malo como Cervantes ni tan necio que alabe a don Quijote.
Letter dated August 14, 1604; cited from Nicolás Marín (ed.) Cartas (Madrid: Clásicos Castalia, 1985) p. 68. Translation by Ilsa Barea, from Sebastià Juan Arbó Cervantes: Adventurer, Idealist, and Destiny's Fool (London: Thames and Hudson, 1955) p. 204.

Miguel de Unamuno photo

“The philosophy of the soul of my people appears to me as an expression of an inward tragedy analogous to the tragedy of the soul of Don Quixote, as the expression of conflict between what the world is as scientific reason shows it to be and what we wish that it might be, as our religious faith affirms it to be. And in this philosophy is to be found the explanation of what is usually said about us — namely, that we are fundamentally irreducible to Kultur — or in other words, that we refuse to submit to it. No, Don Quixote does not resign himself either to the world, or to science or logic, or to art or esthetics, or to morality or ethics.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Miguel de Unamuno photo

“And the conversion of the other Don Quixote — he who was converted only to die — was possible because he was mad, and it was his madness, and not his death or his conversion that immortalized him, earning him forgiveness for this crime of having been born. Felix culpa! And neither was his madness cured, but only transformed. His death was his last knightly adventure; in dying he stormed heaven, which suffereth violence.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Thomas Hardy photo

“You are Joseph the dreamer of dreams, dear Jude.
And a tragic Don Quixote. And sometimes you are St. Stephen, who, while they
were stoning him, could see Heaven opened. Oh, my poor friend and comrade,
you'll suffer yet!”

Thomas Hardy book Jude the Obscure

Source: Jude the Obscure

Albert Einstein photo

“Philosophy is like a mother who gave birth to and endowed all the other sciences. Therefore, one should not scorn her in her nakedness and poverty, but should hope, rather, that part of her Don Quixote ideal will live on in her children so that they do not sink into philistinism.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

(28 September 1932), p. 106
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)

Miguel de Unamuno photo

“And what has Don Quixote left, do you ask? I answer, he has left himself, and a man, a living and eternal man, is worth all the theories and all the philosophies. Other peoples have left chiefly institutions, books; we have left souls; St. Teresa is worth any institution, any Critique of Pure Reason.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Miguel de Unamuno photo

“And the other Don Quixote remained here among us, fighting with desperation. And does he not fight out of despair? …But "despair is the master of possibilities," as we learn from Salazar y Torres (Elegir al enemigo, Act I.), and it is despair and despair alone that begets heroic hope, absurd hope, mad hope. Spero quia absurdum [I hope because it is absurd], it ought to have been said, rather than credo”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

Credo quia absurdam — I believe because it is absurd
The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

Miguel de Unamuno photo

“And through this despair he reaches the heroic fury of which Giordano Bruno spoke — that intellectual Don Quixote who escaped from the cloister — and became an awakener of sleeping souls (dormitantium animorum excubitor), as the ex-Dominican said of himself — he who wrote: "Heroic love is the property of those superior natures who are called insane (insano) not because they do not know, but because they over-know (soprasanno)."”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Context: Science does not give Don Quixote what he demands of it. "Then let him not make the demand," it will be said, "let him resign himself, let him accept life and truth as they are." But he does not accept them as they are, and he asks for signs, urged thereto by Sancho, who stands by his side. And it is not that Don Quixote does not understand what those understand who talk thus to him, those who succeed in resigning themselves and accepting rational life and rational truth. No, it is that the needs of his heart are greater. Pedantry? Who knows!... And he wishes, unhappy man, to rationalize the irrational and irrationalize the rational. And he sinks into despair of the critical century whose two greatest victims were Nietzsche and Tolstoi. And through this despair he reaches the heroic fury of which Giordano Bruno spoke — that intellectual Don Quixote who escaped from the cloister — and became an awakener of sleeping souls (dormitantium animorum excubitor), as the ex-Dominican said of himself — he who wrote: "Heroic love is the property of those superior natures who are called insane (insano) not because they do not know, but because they over-know (soprasanno)."

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