“A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts. By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.”

— Norman K. Denzin

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Norman K. Denzin 2

American sociologist 1941

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“A fundamental problem in such studies stems from the long tradition that has regarded artistic productions as social facts.”

Norman K. Denzin (1941) American sociologist

By regarding such productions as social facts the analyst is relieved of the burden of demonstrating what meanings these productions have for the artist and his audience. It is too frequently assumed that such meanings can be identified by a capable analyst, independent of the interpretations brought to such works by the artist or his audiences. In my judgement artist productions must be seen as interactional creations; the meanings of which arise out of the interactions directed to them by the artist and his audience.
[The Sociology of Rock, 1978, Frith, Simon (ed.), ISBN 0094602204]

“We must take note of the fact that the artist nowadays is occupied with painting flags, posters, pots and pans textiles and things like that. What is referred to as 'artistic work' has on the vast majority of occasions nothing whatever to do with creative effort: and the term 'artistic work' is used in order to demonstrate the 'sacredness' of the work which the artist does at his easel. The conception of 'artistic work' presupposes a distinction between useful and useless work and as there are only a few artists buyers can be found even for their useless products. The artist's work lies beyond the boundaries of the useful and the useless.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

“Every production of an artist should be the expression of an adventure of his soul.”

W. Somerset Maugham book The Summing Up

Source: The Summing Up (1938), p. 310

“.. the modern artist can conclude that impulsive and speculative production has come to an end. THE ERA OF DECORATIVE TASTE HAS VANISHED, the artist of today has finished completely with the past. Scientific and technical developments oblige him to draw conclusions.... to revise his means, to establish laws creating a system, that is to say, to master his elementary means of expression in a conscious manner.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article: 'Towards elementary plastic expression', in 'Material zur elementaren Gestaltung', G-1, July 1923; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 141
1920 – 1926

“Man is a product of evolution, but not his independence. Independence is a social product.”

Kim Jong-il (1941–2011) General Secretary of the Workers' Party of Korea

"On some questions in understanding the Juche philosophy" http://www.korea-dpr.com/lib/Kim%20Jong%20Il%20-%203/ON%20SOME%20QUESTIONS%20IN%20UNDERSTANDING%20THE%20JUCHE%20PHILOSOPHY.pdf, speech delivered to theoretical propagandists of the Party, April 2, 1974
Context: Independence is an attribute of man, the social being; it should not be viewed as the development to perfection of a natural, biological attribute of living matter. This is, in essence, an evolutionary viewpoint. Of course, we do not deny evolutionism itself. Science has long established the fact that man is a product of ages of evolution. Man is a product of evolution, but not his independence. Independence is a social product. Independence is an attribute given to man by society, not nature; it is not a natural gift, but has been formed and developed socially and historically.