
“It was more than sad, the eternal unteachability of youth.”
Part 3, Chapter 16 (p. 208)
Nifft the Lean (1982)
Source: Heaven Revealed (Moody, 2011), p. 125
“It was more than sad, the eternal unteachability of youth.”
Part 3, Chapter 16 (p. 208)
Nifft the Lean (1982)
More Than Just Comfort: An Answer to Cancer (c. 1979)
“My aging body transmits an ageless life stream.”
Autobiography of Values (1978)
Context: I grow aware of various forms of man and of myself. I am form and I am formless, I am life and I am matter, mortal and immortal. I am one and many — myself and humanity in flux. I extend a multiple of ways in experience in space. I am myself now, lying on my back in the jungle grass, passing through the ether between satellites and stars. My aging body transmits an ageless life stream. Molecular and atomic replacement change life's composition. Molecules take part in structure and in training, countless trillions of them. After my death, the molecules of my being will return to the earth and sky. They came from the stars. I am of the stars.
“We never taste a perfect joy;
Our happiest successes are mixed with sadness.”
Jamais nous ne goûtons de parfaite allégresse:
Nos plus heureux succès sont mêlés de tristesse.
Don Diègue, act III, scene v.
Le Cid (1636)
Lyrics, A Crow Left of the Murder... (2004)
“Age is deformed, youth unkind,
We scorn their bodies, they our mind.”
Chrestoleros (1598), Bk.7, Epigram 9
“We touch Heaven, when we lay our hand on a human body.”
Variant translation: There is but one temple in the Universe and that is the Body of Man.
As inscribed on the Library of Congress, quoted in Handbook of the New Library of Congress (1897) by Herbert Small, p. 53
Novalis (1829)
Context: There is but one Temple in the World; and that is the Body of Man. Nothing is holier than this high form. Bending before men is a reverence done to this Revelation in the Flesh. We touch Heaven, when we lay our hand on a human body.
“I never thought before my death to see
Youth's vision thus made perfect.”
Source: Epipsychidion (1821), l. 41