
A Few Maxims for the Instruction of the Over-Educated (1894)
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
A Few Maxims for the Instruction of the Over-Educated (1894)
“Each of our lives is a Shakespearean drama raised to the thousandth degree.”
Remarks to her friend Lydia Chukovskaya (March 1956), as quoted in Joseph Stalin : A Biographical Companion (1999) by Helen Rappaport, p. 2
Context: Each of our lives is a Shakespearean drama raised to the thousandth degree. Mute separations, mute black, bloody events in every family. Invisible mourning worn by mothers and wives. Now the arrested are returning, and two Russias stare each other in the eyes: the ones that put them in prison and the ones who were put in prison. A new epoch has begun. You and I will wait for it together.
Source: Articles, Interview with Arundhati Roy, by David Barsamian (July 16, 2007)
Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 110
“Each painting contains so much suffering.”
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
He here refers to his proposal in "A unitary hypothesis of mind-brain interaction in the cerebral cortex" (1990); published in Proceedings of the Royal Society B 240, p. 433 - 451
How the Self Controls Its Brain (1994)
Context: The hypothesis has been proposed that all mental events and experiences, in fact the whole of the outer and inner sensory experiences, are a composite of elemental or unitary mental experiences at all levels of intensity. Each of these mental units is reciprocally linked in some unitary manner to a dendron … Appropriately we name these proposed mental units 'psychons.' Psychons are not perceptual paths to experiences. They are the experiences in all their diversity and uniqueness. There could be millions of psychons each linked uniquely to the millions of dendrons. It is hypothesized that it is the very nature of psychons to link together in providing a unified experience.
Gregory Battcock. New Artists’ Video, an anthology, (1978) p. xiii. Introduction:
Listing of the several general questions to which video art gave rise to in those days.