“Both with the negative in position and subsequently without it, every part of a large print is, maybe, thus printed in, piece by piece, a large print often occupying me two or three days.”

— Alfred Horsley Hinton

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 88

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Alfred Horsley Hinton 64

British photographer 1863–1908

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“The large print giveth and the small print taketh away.”

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Variant: The big print giveth and the small print taketh away.
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“Probably every photographer has at times found it convenient to print one part of a negative more than another or lias covered another portion during printing, thus deliberately making those portions lighter or darker, as the case may be.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 76

“Fairly large print is a real antidote to stiff reading.”

Ronald Fisher (1890–1962) English statistician, evolutionary biologist, geneticist, and eugenicist

31 May 1929, in a letter to K.Sisam, Oxford University Press. Printed in Natural Selection, Heredity, and Eugenics, p. 20, ed. J.H.Bennett, Oxford: Clarendon Press, 1983.
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“Yes, in the sense that the negative is like the composer’s score. Then, using that musical analogy, the print is the performance. (Paraphrased as "Film is the score and the print is the performance.")”

Ansel Adams (1902–1984) American photographer and environmentalist

“Already handbills were in circulation; some presenting, in large print, the alternative of justice on the conspirators or ruin to the Republic; others in equally large print urging the observance of the law and the granting of the Appeal. Round these jutting islets of black capitals there were lakes of smaller characters setting forth arguments less necessary to be read: for it was an opinion entertained at that time (in the first flush of triumph at the discovery of printing), that there was no argument more widely convincing than question-begging phrases in large type.”

George Eliot book Romola

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Romola (1863)

“The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800)... Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original... As soon as the color-planes have been applied, the first state is reached, so to say..
.. Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
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“Yes, in the sense that the negative is like the composer’s score. Then, using that musical analogy, the print is the performance.”

Ansel Adams (1902–1984) American photographer and environmentalist

Paraphrased as "Film is the score and the print is the performance."
Sheff
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May 1983
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http://davidsheff.com/article/ansel-adams/
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“Any thought which is printed, either here or in the paper, without subsequent attack is generally believed to be true. This is not so much a logical condition as it is a fault of human nature. A longstanding or constant idea is often equated with a true one.”

George Alec Effinger (1947–2002) Novelist, short story writer

Source: What Entropy Means to Me (1972), Chapter 9 “A Moral Dilemma” (p. 140).

“I do not think we have a free press in Britain today. There is not a single newspaper that I can buy, not one in Britain that reflects my political position. And The Times, dare I say to you, is really disreputable. It does not print truthfully and faithfully what happens and it pretends, because it is printed in small print that it is above argument. But it is a political propaganda instrument like The Sun, but it is printed in rather better print and rather shrewder language.”

Tony Benn (1925–2014) British Labour Party politician

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“Duty is duty, conscience is conscience, right is right, and wrong is wrong, whatever sized type they may be printed in. " Large" or "small" are not words for the vocabulary of conscience.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 389.

“Both with the negative in position and subsequently without it, every part of a large print is, maybe, thus printed in, piece by piece, a large print often occupying me two or three days.”

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Alfred Horsley Hinton 64

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