
Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140
"The Differential Action of Certain Muscles Passing More than One Joint," lecture, Academy of Natural Sciences, Philadelphia (1894-05-01).
Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140
Popolo d'Italia (14 July 1920) "The Artificer and the Material," quoted in Mussolini in the Making (1938) by Gaudens Megaro, p. 326
1920s
As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s
Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
Source: 1840s, Two Ethical-Religious Minor Essays (1849), P. 108
Source: Art & Other Serious Matters, (1985), p. 51, "Inquest into Modernism"
Walter Robinson. " Joe Lewis: Clairvoynace http://www.artnet.com/magazineus/features/robinson/robinson8-16-07.asp" at artnet.com, 2015.
Henry Moore, Sir Herbert Edward Read, David Sylvester (1957) Henry Moore: 1921-1948, p. xxxi
1955 - 1970
“An artist who theorizes about his work is no longer artist but critic.”
The Temptaion of Harringay (1929)
“The artist works out his own formulas; the interest of science lies in the art of making science.”
Moralités (1932)
Context: Science is feasible when the variables are few and can be enumerated; when their combinations are distinct and clear. We are tending toward the condition of science and aspiring to do it. The artist works out his own formulas; the interest of science lies in the art of making science.