“It actually went like this: we were at school and Ben said he didn’t like Nirvana so much. Then one of our friends said: You should listen to Sliver. So he wanted to request Sliver for himself on the radio. And I wanted to request a song of an Australian group(You Am I), Berlin Chair. We told Chris to write Sliver Chair, but he wrote it as Silver Chair. Then we thought: That’s a good name. That’s how it went.”

— Daniel Johns

On the name 'Silverchair', Press interview, April 1996
Interviews

Adopted from Wikiquote. Last update June 3, 2021. History

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Daniel Johns 27

Australian musician 1979

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“Fine." Magnus stood up. "But," he added, pausing by Alec's chair and leaning in close to him, "you are not trivial."
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“I want you," she said.
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“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

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laughs

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

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translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

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“Roger: Let's see.. Chris and Vinnie knew each other in high school and were in bands and then moved to Gainesville, Florida for college. I moved to Gainesville, Florida for college. And then Chris had a party and I told him I played guitar. Which I played guitar at that time. And he said you should come and play guitar then I went to practice with a guitar and then they're like, "Oh, by the way, we're going to be kicking out our bass player - would you mind playing bass?" I said OK. So I went out and bought a bass and that was in '92. And that's how it started. Then we started getting into the horn player thing. Shuffled a few horn players over the years but it's been the same main four guys the whole time.”

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Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

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Daniel Johns 27

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