“A woman. Alive. In the daylight.
He stood, mouth partly open, gaping at the woman. She was young, he could see now as she came closer; probably in her twenties. She wore a wrinkled and dirty white dress. She was very tan, her hair was red. In the dead silence of the afternoon Neville thought he heard the crunch of her shoes in the long grass.
I’ve gone mad. The words presented themselves abruptly. He felt less shock at that possibility than he did at the notion that she was real. He had, in fact, been vaguely preparing himself for just such a delusion. It seemed feasible. The man who died of thirst saw mirages of lakes. Why shouldn’t a man who thirsted for companionship see a woman walking in the sun?”

“She had grown older. And he loved her more now than he had loved her when he understood her better, when she was the product of her parents. What she was now was what she herself had decided to become.”

“As he came into the window
It was the sound of a crescendo
He came in her apartment
He left the blood stains on the carpet
She ran underneath the table
He could see she was unable
So she ran into the bedroom
She was struck down, it was her doom.”

“She's a woman in love
And he's gonna break her heart to pieces.
She don't want to see.
She's a woman in love, but it's not me.”

“There was a basket at her feet. She reached into it and lifted out the head of a young woman, a marquise. She wore Bourbon white to her death, but wears the tricolor now - white cheeks, blue lips, red dripping from her neck. Long live the revolution.”

“His mother had been the world to him, and although she had done her best to prepare him, he had been too young to fully understand what death meant—until she was gone, and the great, raw, gaping hole in his heart could not be filled or patched or mended. He looked for her everywhere, even after he had been shown her body—looked and looked and she could not be found.”

“He bent down to her; their mouths met again, and the shock of sensation was so strong, so overpowering, that she shut her eyes against it as if she could hide in the darkness. He murmured and gathered her against him.”

“He felt now that he was not simply close to her, but that he did not know where he ended and she began.”

“He said: "If I thought more of myself?"
"You wouldn't have much difficulty in finding it," she answered. "Let's walk."
He didn't understand the first phrase, but he turned and went by her side, silent while he heard the words.  Much difficulty in finding what? in finding it? the it that could be found if he thought of himself more; that was what he had said or she had said, whichever had said that the thing was to be found, as if Adela had said it, Adela in her real self, by no means the self that went with Hugh; no, but the true, the true Adela who was apart and his; for that was the difficulty all the while, that she was truly his, and wouldn't be, but if he thought more of her truly being, and not of her being untruly away, on whatever way, for the way that went away was not the way she truly went, but if they did away with the way she went away, then Hugh could be untrue and she true, then he would know themselves, two, true and two, on the way he was going, and the peace in himself, and the scent of her in him, and the her, meant for him, in him; that was the she he knew, and he must think the more of himself.”

“Frank Sinatra stopped his car. The light was red. Pedestrians passed quickly across his windshield but, as usual, one did not. It was a girl in her twenties. She remained at the curb staring at him. Through the corner of his left eye he could see her, and he knew, because it happens almost every day, that she was thinking, It looks like him, but is it? Just before the light turned green, Sinatra turned toward her, looked directly into her eyes waiting for the reaction he knew would come. It came and he smiled. She smiled and he was gone.”