“To draw and paint is an elementary thing, it has to be done. But it can be a mental process, intellectual process, thought process. *It is a question of temperament of each artist, there are abstract painters, figurative painters, painters who work in silence or who don’t want to work at all, but they continue with ideas in their mind and in their soul. It’s very fascinating; it’s a vast area without rules or regulations.”

— S. H. Raza

Culture:S.H. Raza Comes in Full Circle

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S. H. Raza 20

Indian artist 1922–2016

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“Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting..”

Titian (1488–1576) Italian painter

As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 71.
As quoted in The Quotable Artist (2002) by Peggy Hadden, p. 72.
undated quotes
Variant: They who are compelled to paint by force, without being in the necessary mood, can produce only ungainly works, because this profession requires an unruffled temper.

“I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

“The new painter owes the abstract artist a debt for giving him his language, but the new painting is concerned with a new type of abstract thought... He [the new painter] is declaring that the art of Western Europe is voluptuous art first, an intellectual art by accident. He is reversing the situation by declaring that art is an expression of the mind first and whatever sensuous elements are involved are incidental to that expression. The new painter is therefore the true revolutionary, the real leader who is placing the artist's function on its rightful plane of the philosopher and the pure scientist who is exploring the world of ideas, not the world of the senses.... so the artist is today giving us a vision of the world of truth in terms of visual symbols.”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 127

“When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.”

Umberto Eco (1932–2016) Italian semiotician, essayist, philosopher, literary critic, and novelist

Source: Postscript to the Name of the Rose

“A painter should never speak because words are not the means at his command. Words cannot express visually dimension at a glance they can only establish their own relationship in time.
However, it is possible for a painter, at certain moments of his development to formulate some of the problems he is facing in the growth of his work. A painting cannot be explained. Words can only stimulate the act of looking.
A visual problem is never put a priori as a mathematical problem but is born in the process of painting and evolves in a state of unawareness of the painter.”

Fritz Glarner (1899–1972) Swiss artist

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

“The artist's tool or the traditional artist's brush and maybe even oil paint are all disappearing very quickly. We use mostly commercial paint, and we generally tend toward lager brushes. In a way, Abstract Expressionism started this all. De Kooning used house painter's brushes and house painters' techniques.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120

“The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect.”

Willa Cather (1873–1947) American writer and novelist

"The Novel Démeublé"
Not Under Forty (1936)

“Paintings are memories. Memories of the painter who painted them. Memories that can be shared as well. Paintings are things to remember things by.”

James Rosenquist (1933–2017) American artist

Quoted in Brian Sherwin, "Art Space Talk: James Rosenquist," http://www.myartspace.com/blog/2008/04/art-space-talk-james-rosenquist.html myartspace.com (2008-04-04)

“He (the painter Manet) hits of the tone.... but his work lacks unity and temperament too.”

Paul Cézanne (1839–1906) French painter

ca. 1863
Quote in: Cézanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 27
Quotes of Paul Cezanne, 1860s - 1870s

“I have made the complete return [from imagination] to nature, and nature is, as we all know, primarily an intellectual idea. I am satisfied that painting also is like nature, an intellectual idea, and that the laws of nature as presented to the mind through the eye and the eye is the painter's first and last vehicle are the means of transport to the real mode of thought: the only legitimate source of aesthetic experience for the intelligent painter.”

Marsden Hartley (1877–1943) American artist

n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928

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S. H. Raza 20

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