
Quote of Huelsenbeck, in 'Dada Lives', Transition no. 25 (Autumn 1936), as cited in The Dada Painters and Poets: An Anthology, ed. Robert Motherwell (1951)
Me Talk Pretty One Day (2000)
Quote of Huelsenbeck, in 'Dada Lives', Transition no. 25 (Autumn 1936), as cited in The Dada Painters and Poets: An Anthology, ed. Robert Motherwell (1951)
Daily Close-up, after the Flag, Roberta Brandes Gratz, New York Post, 30 December 1970, p. 25
1970s
Quote from Van Doesburg's article 'What is Dada?????????????????', in Dutch art-magazine De Stijl, The Hague, 1923; as quoted in "Theo van Doesburg", Joost Baljeu, Studio Vista, London 1974, p. 134
1920 – 1926
1920s, Lecture on Dada', 1922
As quoted in "Age of unreason" by Jeannette Baxter in The Guardian (22 June 2004)
Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 406
In 'DADA manifesto 1920'; as quoted in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, nr. 9.16 Francis Picabia, p 318
1920's
“In France, cooking is a serious art form and a national sport.”
“Cookery is become an art, a noble science; cooks are gentlemen.”
Section 2, member 2, subsection 2.
The Anatomy of Melancholy (1621), Part I
“We're entering the most dangerous phase in the region in decades. I'm really not all that hopeful.”
2010s, Interview with the Reuters War College (April 2017)