
1950's
Source: Interiors, Vol. 110, no 10, May 1951; as quoted in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 172
As quoted in 'Mark Rothko', Dorothy Seiberling in LIFE magazine (16 November 1959), p. 82
1950's
1950's
Source: Interiors, Vol. 110, no 10, May 1951; as quoted in Abstract Expressionism Creators and Critics, ed. Clifford Ross, Abrams Publishers New York 1990, p. 172
Quote from 'The History of Landscape Painting,' fourth lecture, Royal Institution (16 June 1836), from John Constable's Discourses, ed. R.B. Beckett, (Ipswich, Suffolk Records Society, 1970), p. 69.
1830s, his lectures History of Landscape Painting (1836)
Source: 1950s, Artists' Session at Studio 35, (1950), p. 217
In a letter to William Milliken (1930), quoted in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle (1981), p. 128
1930s
“A painter paints his pictures on canvas. But musicians paint their pictures on silence.”
Addressing an audience at Carnegie Hall, as quoted in The New York Times (11 May 1967); often this is quoted without the humorous final sentence.
Context: A painter paints his pictures on canvas. But musicians paint their pictures on silence. We provide the music, and you provide the silence.
"Due parole sulla mia fotografia", 1981; quoted in "Monti, Paolo" https://www.treccani.it/enciclopedia/paolo-monti_(Dizionario-Biografico)/, Dizionario Biografico degli Italiani.
Original: (it) Per me è motivo di continua sorpresa il fatto che quasi tutti i professionisti fotografano solo su ordine dei committenti e quasi mai per inventare e sperimentare.