“In the theater, while you recognized that you were looking at a house, it was a house in quotation marks … on screen, the quotation marks tend to be blotted out by the camera. The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes. It isn't easy to do in the theater, but it's twice as hard in film.”

— Arthur Miller

On filming a television production of Death of a Salesman, as quoted in The New York Times (15 September 1985) http://query.nytimes.com/gst/fullpage.html?res=9805E2DE133BF936A2575AC0A963948260&sec=&spon=&pagewanted=all

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Arthur Miller 147

playwright from the United States 1915–2005

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“Theater is far superior to film in poetry, in abstract poetry. … A lot of what I do in theater is cinematic, and a lot of what I do in film is theatrical, but there are different rules to it.”

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Context: !-- One of the reasons I love to jump back and forth between mediums is that film does allow me to be more literal. I can go to the real place. I can go to the Coliseum, and I don't have to fake it. … What theater does best is to be abstract and not to do literal reality. … -->Theater is far superior to film in poetry, in abstract poetry. … A lot of what I do in theater is cinematic, and a lot of what I do in film is theatrical, but there are different rules to it. … each art form makes me more interested in the other art form because I try and bring in those techniques and those ideas and put them into a different way of using them.

“Every book is a quotation; and every house is a quotation out of all forests and mines and stone-quarries; and every man is a quotation from all his ancestors.”

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“I guess there's some sort of unspoken show business rule, [speaks in British accent] 'You do the theater, and then you move into television, and then, of course, that is your steppingstone to film stardom.' I've done it every which way. I've done theater for many, many years and then had some success in films. I would do television sporadically. I thought this was a good time to try it.”

Nathan Lane (1956) American actor

On his role in the television series Encore! Encore! — reported in Susan King, Los Angeles Times (October 27, 1998) "In Sitcom, Nathan Lane Isn't Taking Steppingstones In Order", St. Louis Post-Dispatch, p. D6.

“To me, where theater has it all over film is that it’s in the moment, it’s tactile, you feel it …You’re completely immersed in it — right here and right now.”

Julie Taymor (1952) American film and theatre director

As quoted in "KA-POW! Spider-Man: Turn Off the Dark" by Adam Green at Vogue.com

“This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/red-1994 of Three Colors: Red (2 December 1994)
Reviews, Four star reviews
Context: We are connected with some people and never meet others, but it could easily have happened otherwise. Looking back over a lifetime, we describe what happened as if it had a plan. To fully understand how accidental and random life is — how vast the odds are against any single event taking place — would be humbling. … This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.

“Cinema should make you forget you are sitting in a theater.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

As quoted in Values of the Wise : Aspiring to "The Life of Value" (2004) by Jason Merchey, p. 330

“Take any aspect of the Western inheritance of which our ancestors were proud, and you will find university courses devoted to deconstructing it. Take any positive feature of our political and cultural inheritance, and you will find concerted efforts in both the media and the academy to place it in quotation marks, and make it look like an imposture or a deceit.”

Roger Scruton book How to Be a Conservative

Source: How to Be a Conservative (2014), p. 40

“I didn't like movies. You see, in a play you become the play, because you start in the beginning and end up at the end of the script. Movies, you do little bits and you don't know where it fits in. You just do a little bit here and a little bit there and you never see the whole thing, you can never act out the whole thing. It has no unity. I would advise anybody-a kid-instead of doing pictures, get experience! Do theater! Get theater in his blood!”

David Manners (1900–1998) Canadian-born American actor

Interview with David Manners, Scarlet Street #26 (1997)

“It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.”

Maria Callas (1923–1977) American-born Greek operatic soprano

On making studio recordings
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“I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently.”

Terence McKenna (1946–2000) American ethnobotanist

Spacetime Tsunami http://www.deoxy.org/t_sunami.htm, Interview with Carla Sinclair, bOING bOING #10.
Context: I think that people don't understand. As the Firesign Theater used to say, 'Everything you know is wrong.' But that is a very liberating understanding, because if everything you know is wrong, then all the problems you thought were insoluble can be framed differently. And there's a way to take the world apart and put it back unrecognizably. We don't really understand what consciousness is at the really deep levels. With some of the tryptamine hallucinogens, you see into possibilities where questions like, 'are you alive?' 'are you dead?' 'are you you?' seem to have been transcended. I think people have a very narrow conception of what is possible with reality, that we're surrounded by the howling abyss of the unknowable and nobody knows what's out there.

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Arthur Miller 147

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