“Then there were motorcycles. I learned to ride one in Tallahassee when I was about 14 or 15. … I got to know the town pretty well, and soon I felt confident about riding round. Tallahassee was full of hills, and I loved racing up and down 'em, sometimes trailing my friend or riding next to him, so I could hear the sound of the exhaust and make sure to follow closely and yet not too closely.
I know it sounds strange — a blind teenager buzzin' round on a motorcycle — but I liked that; that was me. I had always been nervy, and I always had a lot of faith in my ability not to break my neck.”

Olive Gilbert & Sojourner Truth (1878), Narrative of Sojourner Truth, a Bondswoman of Olden Time, page 159. ( text at sojournertruth.org http://www.sojournertruth.org/Library/Archive/LibyanSibyl.htm)

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 6
Context: The romantic mode is primarily inspirational, imaginative, creative, intuitive. Feelings rather than facts predominate. "Art" when it is opposed to "Science" is often romantic. It does not proceed by reason or by laws. It proceeds by feeling, intuition and esthetic conscience. In the northern European cultures the romantic mode is usually associated with femininity, but this is certainly not a necessary association.
The classic mode, by contrast, proceeds by reason and by laws—which are themselves underlying forms of thought and behavior. In the European cultures it is primarily a masculine mode and the fields of science, law and medicine are unattractive to women largely for this reason. Although motorcycle riding is romantic, motorcycle maintenance is purely classic.

Kathy Acker: Where does she get off?

Euro Trash Cinema magazine interview (March 1996)

Song Come on Home.

Source: The Battle of the Labyrinth

Source: Shadowfever

Men and Women (1855), The last Ride together, vii.

"I Want to Be Your Driver" (1965)
Song lyrics