“I have people constantly come up to me telling me that I have written their life. When I wrote the story I thought it was a pretty good story but I had no idea that many people felt like that.”

“Let's not despise story-telling. Like all novelists, I have this low desire to tell people stories.”

“I love people who have a good sense of humor, tell a good story, tell a good joke.”

“Saying my story makes me want to change it, make it sound pretty the way I do with the stories I tell the workers. I'd like it to have a beginning as grand as a ball and an ending in a whisper, like a mother tucking in a child for sleep.”

“I've had about fifty people tell me that I fear intimacy. And it is true. I fear what people will think of me, and that is the reason I don't date very often. People really like me a lot when they only know me a little, but I have this great fear that if they knew me a lot they wouldn't like me. That is the number one thing that scares me about having a wife because she would have to know me pretty well in order to marry me and I think if she got to know me pretty well she wouldn't like me anymore.”

“At this point in my life, I don’t worry about telling a literary story or the right story; I tell the story I want to tell, the story that makes me feel alive, the questions I want to answer.”

“Oral tradition is really how Chicano literature came to be. I was not exposed to the written word, but I had the greatest teacher. I always tell people that my mother was my inspiration because she was the best chismosa, and she had the best stories. And if anyone taught me about drama, it was my mother because she knew how to tell a story. And my grandfather also told stories. One of the reasons why I waned to be a writer was because I was fascinated by stories of La Llorona, supernatural stories and things like that and I love hearing chisme (gossip)…”

“I had gone thoroughly through some of the all-fiction magazines and I made up my mind that if people were paid for writing such rot as I read I could write stories just as rotten. Although I had never written a story, I knew absolutely that I could write stories just as entertaining and probably a lot more so than any I chanced to read in those magazines.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list. I had never met an editor, or an author or a publisher. l had no idea of how to submit a story or what I could expect in payment. Had I known anything about it at all I would never have thought of submitting half a novel; but that is what I did.
Thomas Newell Metcalf, who was then editor of The All-Story magazine, published by Munsey, wrote me that he liked the first half of a story I had sent him, and if the second half was as good he thought he might use it. Had he not given me this encouragement, I would never have finished the story, and my writing career would have been at an end, since l was not writing because of any urge to write, nor for any particular love of writing. l was writing because I had a wife and two babies, a combination which does not work well without money.”

“Boxing Helena was something that I think was pretty cool, but people judged it without even having seen it. It’s not perfect, but I think for the story that we were trying to tell, it turned out pretty good. What it signified was really powerful to me: how society puts us in boxes one way or another.”

“It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass.”