Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
“I think of Abstract Art in the same way I think of all Art, Past and Present. I see it as divided into two Major categories, Objective and Subjective. Objective Art is Absolute Art. Subjective Art is Illustration, or communication by Symbols, Replicas, and Oblique Emotional Passes. They are both Art, but their Content has no Identity. Their difference cannot be defined as a difference of Idiom, because all Paintings have the Laws of Design as a common denominator. Design exists as an Idiom of Color-Space Logic, and it also exists in an Idiom of Representational Likenesses. Objective Art and Subjective Art exist in both Idioms. Their difference can only be defined in terms of what the Artist thinks his Purpose means-its Content as a Design Image.”
Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15
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Stuart Davis 2
American painter 1892–1964Related quotes

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Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139

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Source: Art is no longer justifiable or setting the record straight, 2000, p. 66
“Pop Art is not painting because painting must have content and emotion.”
As quoted in "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)

1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
Quote of Joan Mitchell, in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 78
1975 - 1992