Jean Paul Sartre quote: “What I see is teeming cohesion, contained dispersal…. For him, to sculpt is to take the fat off space.”

“Ricky Hatton ain't nothing but a fat man. I'm going to punch him in his beer belly when I see him.”

Ricky Hatton (1978) English former professional boxer

Floyd Mayweather speaking out about how hes going to beat Hatton http://news2.thdo.bbc.co.uk/sport1/hi/boxing/6328555.stm
Other boxers on Ricky(Sourced)

“I think sex with him might undo my essential cellular cohesion.”

Karen Marie Moning (1964) author

Source: Faefever

“It reminded him of the man who had a poor old lean, bony, spavined horse, with swelled legs. He was asked what he was going to do with such a miserable beast, the poor creature would die. 'Do?' said he. 'I'm going to fat him up; don't you see that I have got him seal fat as high as the knees?”

Abraham Lincoln (1809–1865) 16th President of the United States

Well, they've got the Union dissolved up to the ankle, but no farther!
1860s, Speech at Hartford (1860)

“It reminded him of the man who had a poor old lean, bony, spavined horse, with swelled legs. He was asked what he was going to do with such a miserable beast, the poor creature would die. 'Do?' said he. 'I'm going to fat him up; don't you see that I have got him seal fat as high as the knees?'”

Abraham Lincoln (1809–1865) 16th President of the United States

Well, they've got the Union dissolved up to the ankle, but no farther!
1860s, Speech at Hartford (1860)

“.. reality reveals itself by substantial, palpable forms, accumulated or dispersed in empty space.... these forms are part of that space and.... the space between them appears as form, a fact which evidences the unity of form and space.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Source: 1940's, A New Realism', 1943-1945, p. 18

“Fat' traverses the path from a chaotically dispersed, undirected energy form to a form. Then it appears in the famous fat corner.... now [a wedge of fat in the angle between seat and back of the wooden old Chair, Beuys used in the fat-sculpture, like 'Stuhl mit Fett' (Fet Chair), 1964] intersects the human body in the region that houses certain emotional forces”

Joseph Beuys (1921–1986) German visual artist

Beuys laughed, and so did everyone else of the public
In a public debate at the Kunstring (Artcircle) Folkwang in Essen, 1972; (Stachelhaus 1991, p. 71); as quoted in Joseph Beuys and the Celtic Wor(l)d: A Language of Healing, Victoria Walters, LIT Verlag Münster, 2012, p. 29
1970's

“What is the essence of the director's work? We could define it as sculpting in time.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 63-4
Context: What is the essence of the director's work? We could define it as sculpting in time. Just as a sculptor takes a lump of marble, and, inwardly conscious of the features of his finished piece, removes everything that is not a part of it — so the film-maker, from a 'lump of time' made up of an enormous, solid cluster of living facts, cuts off and discards whatever he does not need, leaving only what is to be an element of the finished film, what will prove to be integral to the cinematic image.