“He sidesteps the rise in the funding of Persian and Arabic by the secular Indian government and by foreign sponsors, and the concurrent dramatic decline in Sanskrit funding. He does not expose the downsizing and dismantling of the institutions, both formal and informal, on which Sanskrit and sanskriti have traditionally thrived. Pollock is careful not to implicate the non-Hindu forces that have wreaked havoc against Sanskrit.”

The Battle for Sanskrit (2016)

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Rajiv Malhotra 33
Indian-American entrepreneur and author 1950

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“It is important for Pollock that Muslims not be blamed for the decline of Sanskrit. He writes that any theory 'can be dismissed at once' if it 'traces the decline of Sanskrit culture to the coming of Muslim power'… Trying to prove the timing of Sanskrit's decline prior to the Turkish invasions enables him to absolve these invasions of any blame… I get the impression that Pollock does not want to dwell on whether Muslim invasions had debilitated the Hindu political and intellectual institutions in the first place… Throughout Pollock's analysis, hardly any Muslim ruler gets blamed for the destruction of Indian culture. He simply avoids discussing the issue of Muslim invasions and their destructive influence on Hindu institutions… The impact of various invasions in Kashmir was so enormous that it cannot be ignored in any historical analysis… The contradiction between his two accounts, published separately, is serious: Muslim invasions created a traumatic enough shockwave to cause Hindu kings to mobilize the 'cult of Rama' and therefore the Hindus funded the production of extensive Ramayana texts for this agenda. And yet, the death of Sanskrit taking place at the same time had little relation to the arrival of Muslims. When Hindus are to be blamed for their alleged hatred towards Muslims, the Muslims are shown to have an important presence; but when Muslims are to be protected from being assigned any responsibility for destruction, they are mysteriously made to disappear from the scene.”

The Battle for Sanskrit (2016)

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“Sanskrit is constructed like geometry and follows a rigorous logic. It is theoretically possible to explain the meaning of the words according to the combined sense of the relative letters, syllables and roots. Sanskrit has no meanings by connotations and consequently does not age. Panini's language is in no way different from that of Hindu scholars conferring in Sanskrit today.”

Pāṇini ancient Sanskrit grammarian

Alain Danielou in: Virtue, Success, Pleasure, and Liberation: The Four Aims of Life in the Tradition of Ancient India https://books.google.co.in/books?id=IMSngEmfdS0C&pg=PA17, Inner Traditions / Bear & Co, 1 August 1993 , p. 17.

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“Sanskrit is constructed like geometry and follows a rigorous logic. It is theoretically possible to explain the meaning of the words according to the combined sense of the relative letters, syllables and roots. Sanskrit has no meanings by connotations and consequently does not age. Panini's language is in no way different from that of Hindu scholars conferring in Sanskrit today.”

Alain Daniélou (1907–1994) French historian, musicologist, Indologist and expert on Shaivite Hinduism

Alain Danielou in: Virtue, Success, Pleasure, and Liberation: The Four Aims of Life in the Tradition of Ancient India https://books.google.co.in/books?id=IMSngEmfdS0C&pg=PA17, Inner Traditions / Bear & Co, 1 August 1993 , p. 17.

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“A university teaches. What does it teach? It must obviously teach all the languages in which the great literatures which have been preserved were written — Hebrew, Arabic, Sanskrit, Greek, Latin, French, Italian, German, Scandinavian, and English.”

Charles William Eliot (1834–1926) President of Harvard

[Z. Elmarsafy, A. Bernard, D. Attwell, Debating Orientalism, https://books.google.com/books?id=VP6ARP2m-D0C&pg=PA82, 13 June 2013, Springer, 978-1-137-34111-2, 82]

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“Although the MBh is the text having the most information about Vyasa, there are few references to him in Sanskrit literature that predated the MBh or is atleast contemporaneous with the early phase.”

Vyasa central and revered figure in most Hindu traditions

In p. 4.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

Vyasa photo

“Vyasa:literally one who spreads, also known as Veda Vyasa and Krishnadvaipayana, traditionally recognized as the author) as well as protagonist) of the Sanskrit Mahabharata, the Puranas, and Upansishads and the compiler of the Vedas.”

Vyasa central and revered figure in most Hindu traditions

Kumkum Roy, in Historical Dictionary of Ancient India http://books.google.co.in/books?id=RIUZjYEuqskC&pg=PA371, p 471.
Sources

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